Photoshop How To

Sort By: Post DateTitle Publish Date
Ron Leach  |  Nov 15, 2022

It’s inevitable: Sooner or later you’ll come upon an interesting scene, and the only camera you have on hand is your phone. Sure, it’s possible to make impressive images with the latest phones, but what if the photo you envision requires a long exposure?

Ron Leach  |  Jun 21, 2022

We’ve all marveled at long-exposure landscape photos with soft feather-like clouds and cotton-candy water. The challenge when shooting during the day, is that light levels are usually too high to permit using the slow shutter speeds necessary,

Ron Leach  |  Apr 23, 2021

Everyone loves people pictures, right? So why do so many photographers shy away from portraiture? Perhaps it’s because of the popular misconception that expensive, complicated lighting gear is required for quality results.

Ron Leach  |  Aug 19, 2024

Shutterbug readers are always enthusiastic about Julieanne Kost's post-processing tutorials because of her vast knowledge of all things Adobe and her uncommon knack for simplifying seemingly complicated concepts and tasks. In the next four minutes she demonstrates a foolproof method for enhancing images with Lightroom's Presence Sliders.

Ron Leach  |  May 02, 2023

Luminar Neo is rapidly gaining popularity as a full-featured alternative to Photoshop and Lightroom. It’s affordable, has a myriad of powerful tools, and is easy to use thanks to its intuitive interface,

Ron Leach  |  May 01, 2023

Photoshop’s Luminosity Masks and Blend-in tools are similar and often used to accomplish the same tasks, and photographers often confuse the two methods and wonder when they should use one over the other. The quick tutorial below answers that question so you can make the right choice when editing your work.

Ron Leach  |  Dec 15, 2021

If there’s one underutilized technique for achieving superior results when editing images in Photoshop, it’s the use of Luminosity Masks to balance out the tones and create truly captivating photographs. Best yet, this powerful method is very easy to master.

Ron Leach  |  Jul 06, 2021

This is a great time of year to make macro magic, as there are flowers, insects, and other small creatures just about everywhere you look. All you really need is a close-focusing lens and the following tips from Swedish pro Micael Widell.

Ron Leach  |  Dec 30, 2024

There's no doubt that some outdoor scenes cry out for a monochrome rendition with all of the striking contrast or moody effects that are possible with b&w imagery. Other times, however, the vivid color you see through the viewfinder makes this decision a no brainer.

Ron Leach  |  Jul 07, 2020

All outdoor photographers have experienced the dilemma of coming upon a scene that would make a stunning image, were it not for the dull light. But all is not lost, as you’ll see in the video below, demonstrating how to magically transform a flat photo by painting with light in Photoshop.

Ron Leach  |  Dec 19, 2024

So you're out for a stroll, and photography is the furthest thing from your mind. But all of a sudden you notice something small that would make a great macro shot and wonder if this small slice of beauty can be captured effectively with the iPhone in your pocket.

Ron Leach  |  Aug 16, 2021

Many of history’s greatest photographers gained their fame making b&w landscape images. With today’s modern cameras, and the digital darkroom, most of the goals remain the same but techniques often differ.

Ron Leach  |  Jul 12, 2021

Blue hour, that magical time just before sunrise or sunset, is usually a great time to shoot. With the sun just below the horizon, beautiful blue tones bathe the landscape and create a dreamy soft glow.

Ron Leach  |  Mar 30, 2022

One of the challenges with all forms of outdoor photography is that scenes often have a wide-range of tones—often beyond the density range of your camera. The best way to deal with situations like these is editing selective portions of the image.

Ron Leach  |  Jun 08, 2022

Experienced photographers are always on the lookout for distracting background elements that can ruin a photo. Unfortunately, it’s not always possible to find a different vantage point from which to shoot that excludes the offending junk.

Pages

X