Photoshop How To

Sort By: Post DateTitle Publish Date
Ron Leach  |  Dec 08, 2021

When reviewing images on the computer, many of us immediately relegate images with boring flat light to the trash. But if you resist the temptation and employ a simple editing technique, you can rehabilitate dull images and turn them into something special.

Ron Leach  |  Aug 23, 2023

We've all come upon a beautiful scene only to discover that our images look flat and lifeless. Sometimes that's because the light wasn't quite right, while other times the culprit was operator failure, i.e. we used the wrong camera settings or techniques.

Ron Leach  |  Jan 10, 2024

Landscape photography can be difficult depending upon ambient light and the position of the sun. Earlier this week we featured a powerful Lightroom tutorial for "relighting" dull and lifeless images, and today we have another one that addresses a different challenge.

Ron Leach  |  Apr 16, 2024

So you captured a gorgeous landscape scene and nailed focus, exposure, and composition. Then you reviewed your images on the computer, expecting stunning results, only to discover that the horizons are curved and distorted.

Ron Leach  |  May 26, 2023

How often have you arrived at a favorite location for a day of landscape photography, only to confront a dull, uninspiring sky? If you’re like most of us, the answer is “more than once or twice.”

Henry Anderson  |  Feb 01, 2022

Even if your landscape photo has a lot of things going for it, an overcast or flat sky can make the image look dull. Fortunately, there are a few tricks you can do in Lightroom to make a boring sky in a landscape photo go from drab to fab in no time.

Henry Anderson  |  Aug 04, 2022

Here’s a simple but common problem with digital photography: oversaturated red faces. This can occur because of a lighting issue, a camera issue, or because your subject already has somewhat flushed skin.

Ron Leach  |  Dec 20, 2024

Inexperienced wildlife photographers often struggle to properly expose birds, whether they're sitting still on a tree or in flight, and underexposed subjects are the typical concern. This problem is particular acute when our feathered friends are depicted against a bright sky.

Ron Leach  |  Jan 04, 2023

One of the biggest challenges for landscape photographers is exposing a scene in a manner that accurately captures all the tones from deep shadows to highlights. A modern camera with a broad density range helps, but even then editing is often required.

Ron Leach  |  May 01, 2025

Nighttime photography can be a lot of fun because it provides numerous opportunities to capture compelling images in the field or on the street. Familiar scenes that may appear boring during the day are transformed into magical tableaus once the sun drops below the horizon.

Ron Leach  |  Jan 24, 2023

There are a number of reasons that landscape and other outdoor photos may be underexposed. Perhaps you neglected to add the necessary EV compensation, or an overly bright sky biased the exposure.

Ron Leach  |  Jan 28, 2025

It can be difficult to nail exposure when photographing complicated landscape scenes, especially when snow covers the ground and can easily "fool" your camera's light meter. This tutorial from the PHLOG Photography YouTube channel provides a quick-and-effective fix using Lightroom's Tone Curve tools.

Ron Leach  |  Jun 24, 2025

Very few experienced landscape photographers head out in the field without a polarizing filter in their bag. That's because these affordable accessories can be used to darken pale skies, enhance saturation, and remove unwanted reflections that spoil a shot.

Henry Anderson  |  Dec 29, 2021

If the person in your portrait forgot to iron his or her clothes, it doesn't mean you need to have ugly wrinkles in the photo. You can always "iron" clothing in the image after the shoot using a few simple tricks in Photoshop.

Ron Leach  |  Aug 16, 2023

One of the most daunting challenges faced by landscape shooters is optimizing sharpness in scenes with important objects in the foreground, midrange, and background of the frame. That's because even if you stop your lens all the way down to f/22 there's insufficient depth of field to maintain sharpness from here to there.

Pages

X