Are you having problems getting the tint right between green and magenta, or between yellow and blue tones? Well, join the club. It's all about achieving proper White Balance during post processing—a popular and transformative topic of concern to amateurs and pros alike.
Landscape photographers typically rely upon wide-angles lenses because a short focal length is often the best tool for capturing expansive vistas. Sometimes, however, we need more reach to accentuate distant elements that are the key to a shot. So what's your best option in situations like this when your telephoto lens is resting at home?
This comprehensive macro tutorial from the Naturefold YouTube channel is designed for those new to the genre. Yet, everything discussed will prove equally helpful if you've given closeups a try and were disappointed with your results.
So you scouted out a promising location, used your best tools and techniques, yet the photos you captured are far less impressive that you expected due to problematic daytime light. You can return just before sunset and try again, or you can mimic a stunning Golden Hour effect by using the editing technique demonstrated in this beginner-friendly Lightroom tutorial.
There's an interesting dichotomy when it comes to adjusting color during post processing. Most of the time our goal is to use various techniques to make an image appear exactly as it did through the viewfinder for a believable, natural looking result. Other times, however, our intent is to is to employ lens filters, camera settings, or editing enhancements to achieve special effects or change the mood and feeling of an image.
If the Radial Filter isn't part of your everyday workflow, that's going to change today because you'll learn what it does and how to use it in this tutorial from landscape photographer Abhiskek Mitra. Mitra recently launched an instructional YouTube dedicated to Lightroom and Photoshop hacks for those new to the game.
When first starting out in photography everyone is bombarded with conventional wisdom about tools and techniques, along with a bunch of long-time "rules" for quickly evolving their shooting and editing skills. Some of this advice can be quite helpful (at least in the beginning) but other "essential" tips may hold you back—or even spoil your work.
Nighttime is the right time to capture a wide variety of dramatic images, and the Milky Way in the evening sky is one of the most popular and impressive subjects. If you pass up this great opportunity because of a misconception that your gear and skills are insufficient, this video from the PHLOG Photography YouTube channel will change your mind.
So you spend what seems like ages editing a photo with all your usual tricks, tools, and techniques, but no matter how many adjustments you make to exposure, color, and other key variables the image never seems to feel finished. If this frustration sounds familiar, today's quick tutorial from instructor Steve Arnold will simplify your shots and provide the final bit of polish every photo needs.
A basic understanding of color theory is essential for capturing and editing all sorts of photos, be they landscapes, street scenes portraits, and pretty much everything else unless you're shooting in b&w. This holds true whether your intent is to depict exactly what you saw through the viewfinder or want to change the look and mood of an image during the editing process to achieve a particular effect.
One big advantage of today's sophisticated post-processing software is that there are usually multiple methods and tools for accomplishing the same task. And oftentimes the technique that works best for one type of image is not the best choice for another.
The failure to attain precise focus is a sure way to ruin an otherwise great photo, but fortunately there are post-processing methods to sharpen blurry images IF you use the right tools. Taking the wrong approach, however, will only make things worse.
Are you one of those photographers who always shoots Jpegs because you think editing Raw files is beyond your skills? If so you're not alone, even though there are significant image-quality benefits to shooting in Raw.
Shutter speed is one of the three elements that combine to achieve a proper exposure, the other two being aperture and ISO. But unless you shoot in Manual mode, it's likely that you use Aperture Priority—thereby leaving it up to the camera to choose an appropriate shutter speed.
There's a common denominator running through many of the post-processing tutorials we post, and it's a technique that one of our favorite instructors says he can't live without. Many of his fellow pros agree wholeheartedly, and today you'll learn exactly how it works.