Mike Stensvold

Mike Stensvold  |  Nov 01, 2005

Close-up photography--taking pictures at very close range--can provide a different outlook on everyday things, reveal details unseen by the naked eye, and turn common objects into intriguing abstract images.

The traditional ways to do close-up photography involves special gear: Simple close-up diopter lenses are inexpensive but reduce sharpness noticeably...

Mike Stensvold  |  Sep 01, 2005

Photographing action is quite challenging, but can also be very rewarding. The keys to success are knowing your camera, knowing your subject...and LOTS of practice. You have to be able to set focus and exposure quickly (or monitor them quickly, if using an automatic camera). In short, you can't be fumbling around trying to figure out how to apply exposure compensation or...

Mike Stensvold  |  Jul 01, 2005

Photography is all about light. But wherever there's light, there are shadows lurking nearby. And therein lie some great photo ops.

 

Exposing Shadows
Contrasty shadow scenes can fool reflected light meters, such as those built into cameras. A spot meter enables you to meter the most important highlight area, and determine an exposure that will give...

Mike Stensvold  |  Mar 01, 2005

Autofocusing is one of the best things that's ever happened to the SLR camera. I didn't think so while testing early examples when the AF SLR era began back in 1985, but a lot of progress has happened in the ensuing two decades. Today's AF SLR cameras, film and digital, will focus more quickly and accurately than most photographers can. Naturally, the higher-end...

Mike Stensvold  |  Feb 01, 2005

When you focus your camera's lens on a subject, the point focused upon is sharp. Objects in the scene closer or farther than that point appear progressively less sharp as their distance from the focused point increases.

Depth of field refers to the area in front of and beyond the point focused upon in which things appear acceptably sharp in a photograph. Depth of...

Mike Stensvold  |  Sep 01, 2004

All Photos by Mike Stensvold

 

Proper exposure is important. Color-print film has a lot of "latitude," and digital images can be manipulated extensively, but a properly exposed image will always look better than a "corrected" poorly exposed one.
What is "proper" exposure, anyway? Well, it's the exposure that gives you the...

Mike Stensvold  |  Aug 01, 2004

Shooting good photos in dim light is challenging, but can also be quite rewarding, because capturing the feel of the existing light generally produces a more pleasant picture than using on-camera flash.

The basic problems facing the low-light photographer are being able to use a fast enough shutter speed to permit hand-held shooting, and being able to use a small enough lens aperture to...

Mike Stensvold  |  Jun 01, 2004

Photographs of beautiful landscapes made in the right conditions can be absolutely stunning. The keys are to be there in those conditions, and to be ready to record them when you find them.

You can greatly enhance your chances of being there at the right time by doing your research. It's frustrating to travel to a stunning scenic site, only to be socked in by a blizzard—or to find...

Mike Stensvold  |  May 01, 2004

 

 

 

 

 

 

You don't need a lot of fancy equipment to get good bird photos. Professional bird photographers do use some serious items (the 600mm f/4 supertelephoto lens favored by many costs more than my whole "bird" outfit, which includes both 35mm and digital AF SLR bodies), and you probably need similar gear and...

Mike Stensvold  |  Apr 01, 2004
Spring is the season of rebirth and renewal—hence, the ritual of spring cleaning. It's also a season of contrasts: there's still snow in the high elevations, while the lower regions come into bloom; and there are hot summery spells and cold wintry spells interspersed with milder days. So in most areas, you can shoot "winter" shots and "summer" shots in thespring...

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