Photoshop How To

Using long exposures during the day is a great way to create unique landscape and nature photos. This technique results in an ethereal look, with soft, dreamy water and cotton-like clouds. The typical approach is using ND filters to dramatically reduce the amount of light entering the camera, but there’s a post-processing trick for getting the job done.

Sometimes you come across a great scene, apart from the fact that two or more objects in the frame are too close together for an ideal composition. In some situations it’s possible to rectify the problem by changing your vantage point, but if that’s not possible there’s a quick editing fix.

It’s unfortunate so many photographer overlook color theory. That’s because whether you’re a beginner or an experienced pro, even a rudimentary understanding of this concept can make a huge difference in your images. Moreover, a bit of knowledge about how colors work together will change how you go about the image-editing process.

You'd think that Photoshop would do a better job of making it easy to create vignettes for your images, but it doesn't, according to Blake Rudis of f64 Academy. And he's right.

When heading out for a day of landscape photography, most shooters instinctively reach for a wide-angle lens. That’s because conventional wisdom dictates that capturing expansive vistas is the best way to go. Unfortunately, if you’re afflicted with this common reflex, many great photo opportunities will pass you by.

Something interesting happens when it comes to using our photo gear. On the one hand, most photographers calmly and eagerly familiarize themselves with everything their camera can do. But when it’s time to learn even the most basic flash techniques, fear often sets in.

Whether you’re attempting to photograph the Milky Way, or simply trying to capture a sparkling nighttime sky over your backyard, astrophotography can be intimidating. And once you’ve captured a few shots, editing the images may also seem like a daunting task.