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The accurate colorization of old black-and-white photos involves a combination of artistry, painstaking research, physics and digital technology. And when the effort yields a realistic and vibrant reconstruction of the historical past, the result is quite magical.

If you’ve ever marveled at a spectacular landscape photograph and wondered how it was made, there’s a good chance the photographer employed a luminosity masking technique in Photoshop that provides extremely precise control over post-processing adjustments.

Artist Ben Grant became inspired by satellite imagery after learning of what’s known as the “overview effect”—a sensation astronauts experience when they look down from space and view Earth as a whole. It’s at that moment, Grant says, that astronauts “have the chance to appreciate our home in its entirety, to reflect on its beauty and its fragility all at once.”

One of the few things we didn’t try in our in our recent review of Sony’s small and sophisticated A6500 mirrorless camera was to try shooting with a cheap 500mm f/8 preset lens and a 2x teleconverter. But that’s exactly what photographer Christopher Burress did in the video below, and his results are pretty interesting.

Photographer Ami Vitale travels the world to capture those aspects of life we don’t ordinarily see. She helps us understand other peoples, their cultures, lifestyles, and traditions. She’s not afraid to take the journey, regardless of the perils she may face. And she comes away from the experience with images she shares with the world, much of it for National Geographic.

DIY photography projects are not only a lot of fun, they can also save you some serious cash that's better spent on stuff you can’t make yourself. In the video below you’ll learn five quick camera hacks that are very easy to accomplish.

Q. Re: your answer to the question about solving noise problems in the writer’s wedding shots in the February 2017 issue. You mentioned Photoshop, Lightroom, and Nik for noise reduction, but left out the best noise reduction software I’ve ever used—DxO’s OpticsPro 11. I had great night shots of lava flowing into the sea off Hawaii that were unusable because of noise, but OpticsPro 11 Prime worked wonders.