Photoshop How To

Yesterday we debunked a popular myth that shooting in Manual mode is the only way to capture great images. Today we're going that route again by addressing the conventional wisdom that Raw files are always better than Jpegs.

If you're new to post-possessing we empathize with the plight and what must seem like an insurmountably steep learning curve due to the seemingly endless array of features and tools offered by just about any software you use. Today's video will help ease the pain and accelerate the process by identifying five common errors made by novices and even intermediate photographers.

Dull, lifeless photos are the bane of landscape photographers, and flat light is often the culprit. Sometimes our camera settings deserve some blame too, but in either case there's a simple Lightroom "relighting" trick that will come to the rescue.

Let’s face it. We all do our best to capture compelling photographs, and sometimes it’s difficult to be objective about the results. In fact, one of the challenging aspects of our craft is determining whether a photograph is worth editing or if it should be trashed.

Some photographers think all that’s involved is a decision to frame a scene in either a vertical or horizontal orientation. But as you’ll see in the tutorial below, there’s much more that factors into the equation. One is creative cropping, and another is whether to modify the native aspect ratio of the camera you use—which varies from one model to another.

Most Shutterbug readers are familiar with a Photoshop feature that automatically detects and creates a mask for an object, thanks to the tutorials we’ve posted in the past. But that capability pales in comparison to a “hidden” masking tool that you’ll learn how to use below.