Portrait Photography How To

OK, it's time for some honest self-reflection if you're not a fan of supplemental illumination: Do your avoid flash photography because you prefer the look of available-light imagery? Or are you under the misconception that it's too difficult to do right?

There's an interesting dichotomy when it comes to adjusting color during post processing. Most of the time our goal is to use various techniques to make an image appear exactly as it did through the viewfinder for a believable, natural looking result. Other times, however, our intent is to is to employ lens filters, camera settings, or editing enhancements to achieve special effects or change the mood and feeling of an image.

Let's say you capture a nice image, and you want to bring out a bit more detail during the editing process. It doesn't matter whether the photo is a portrait, macro shot, a landscape scene, or something else. What's your strategy?

This tutorial is the first installment of an eye-opening series describing conditions under which you shouldn't trust a camera's meter to deliver accurate exposures when shooting images in certain situations. Today you'll learn how much to underexpose a photo when faced with a low light, high contrast scene.

One of the hurdles of becoming a good street photographer is gaining enough confidence to photograph people you don’t know. In this interesting video, you’ll pick up some tips by watching three photographers offering free portraits to total strangers.

Some photographers are a bit intimidated by using off-camera flash outdoors, especially if they do most of their shooting with available light. If this sounds familiar, watch the five-minute video below and learn how to easily improve your portraiture in the field.

Cropping is a simple and effective way to fix poorly composed images, turn a horizontal shot into a vertical one, or get rid of distracting elements. And if you’re caught out in the field without a telephoto lens, cropping is an effective way to get in tight on a distant subject—especially if you’re using a hi-res camera.