Lighting How To

Everyone loves people pictures, right? So why do so many photographers shy away from portraiture? Perhaps it’s because of the popular misconception that expensive, complicated lighting gear is required for quality results.

I think it would be helpful to you if I explained how I handled different kinds of low light photographic situations. Apply my approach to your own images and make note of the technical solutions for each subject and scene. As photographers we are constantly challenged with shooting in circumstances where the light is not sufficient to get what we really want—sharp pictures, effective depth of field, minimal noise and a good exposure. We often have to make compromises but our goal is to get the best images we can under often trying conditions. In this chapter I’ll be sharing my thinking process in dealing with tough subjects in a variety of circumstances.

Shooting good photos in dim light is challenging, but can also be quite rewarding, because capturing the feel of the existing light generally produces a more pleasant picture than using on-camera flash.

The basic problems facing the low-light photographer are being able to use a fast enough shutter speed to permit hand-held shooting, and being able to use a small enough lens aperture to...

Capturing the details in nature requires getting close to small subjects and sometimes you will want to use flash. Shooting close-ups with flash is very different than using flash as you normally do.

Don’t be confused by the diminutive size of the new Fotodiox Pro PopSpot LED Fresnel light. While it’s barely the size of a soda can, this little powerhouse packs plenty of punch, runs on AC or battery power, and unlike other Fresnel lights never gets hot.

It's been a while since we featured a boudoir photography tutorial and this 10-minute lesson takes a different approach than the high-contrast b&w techniques we've shared in the past. Today you'll learn how to shoot alluring color indoor portraits with available light.

Experienced portrait photographers often shoot outdoors with natural light when conditions are right for soft, even illumination. Other shooters, on the other hand, avoid supplemental light at all costs because of a misconception that the technique is too difficult to master.