Photo How To

There are a multitude of reasons why what you observe in the field may appear vastly different than the image you capture unless you make adjustments while shooting or do so later during the editing process. The quick video below from the Hoffman Photography YouTube channel explores an "enlightening" oft-ignored fact.

If you’re going to be a serious landscape photographer, you need a serious tripod but what’s mystifying is how little thought people put into picking one out. That’s exactly why professional photographer Tom Mackie of Landscape Photography iQ made the below video gear guide.

Every so often when you attempt to open an image, Photoshop gives you an “Embedded Profile Mismatch” warning. If you’re unsure what this means and how to deal with it, the following tutorial will set you straight.

When configuring a camera, some photographers either ignore the Color Space menu or consider the options a “set-it-and-forget-it” choice. And that’s a big mistake, because this simple setting has a big impact on how images appear on a computer monitor and when used for various purposes.

Upscaling photos is a common task, and there are a variety of ways to get the job done. Discussions about which method to use, however, typically revolve around how images look on the computer screen at 100% or more.

Photography is no different than other creative pursuits, in that mistakes happen regardless of one’s skills. That’s often true with exposure, particularly under difficult lighting conditions. 

Many landscape photographers never leave home without a polarizing filter, and consider this simple accessory almost mandatory for everything they do. But as you see in the eye-opening tutorial below, one pro says polarizers may detract from an image in certain situations—depending on the specific scene at hand and the mood you want to create.