Pro Techniques

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Jon Sienkiewicz  |  Dec 01, 2009  | 

The guy at the camera store told you that a filter is “cheap insurance against fingerprints and expensive repairs” but was he really looking out for your best interests?

Jon Sienkiewicz  |  May 01, 2010  | 

Many of the cameras used by Shutterbug readers use SD memory cards. SD stands for Secure Digital, and it’s the most popular type of media for digital imaging. SD has been around for so long that people use this identifier generically, and refer to all variations simply as “SD.” This practice can lead to problems. There are a couple of new kids on the block, and you should know...

Dave Howard  |  Jan 01, 2001  | 

The concept of carrying a small camera with you at all times certainly isn't new. Street photographers from the first half of the last century, whose main work was most often done with a cumbersome tripod and large format camera...

Shutterbug Staff  |  Oct 22, 2024  | 

Absolutely free support for emerging image makers: qualified college-level students 18 and older may now be eligible to enjoy many of the valuable member-exclusive benefits Canon previously reserved for full-time professional photographers via the new Student Canon Professional Services program — all at no cost. The generous initiative includes perks ranging from expedited repairs and discounted repair services to a dedicated hotline for assistance and mentorship.

George Schaub  |  May 01, 2009  | 

For the past three summer seasons Canon has sponsored their Photography in the Parks Photo Contest, highlighting images made by photographers in our nation’s national parks.

Maynard Switzer  |  May 07, 2012  |  First Published: Mar 01, 2012  | 

What I want to capture in my photography can be expressed as the character of a place. I have to aim for images beyond “this is what it looks like here” because in my business photos have to tell stories, have to illuminate, even educate; my images should always reveal something of the culture, the history, and, most important, the lives of the people.

Jim Zuckerman  |  Mar 01, 2009  | 

My biggest surprise in shooting the famous Carnival of Venice was how accommodating the costumed people were to be photographed. I had assumed that they would become quickly annoyed with all the photographers stopping them and wanting pictures, but the opposite was true. They came out just to be photographed. Some were out as early as 7am and in the sunrise lighting they posed in front of the...

Jon Sienkiewicz  |  Jan 03, 2025  | 

The app-controlled Lume Cube XL Mini COB LED packs exceptional power and high-end features into an amazingly compact package. It's targeted toward content creators, studio professionals, and enthusiasts who want to up their game. It's also genuinely fun to use, and opens new avenues of creativity.

Our Choosing Wisely series aims to deliver concise, summarized information about products we think you'll like. Read what Choosing Wisely wrote about the Lume Cube XL.

Jack Neubart  |  Nov 15, 2006  |  First Published: Dec 01, 2006  | 

Changing lenses on a digital SLR subjects the interior to invasion by dust and other airborne particles. While we can avoid the problem with prudent handling, eventually we'll have to face the facts: dust will get on the sensor. The imaging sensor, whether CCD or CMOS, is a dust magnet. As soon as the camera is turned on the sensor becomes electrostatically charged. Any...

Barry Tanenbaum  |  Dec 06, 2013  |  First Published: Nov 01, 2013  | 

Chances are you won’t be photographing in the negative numbers of extreme cold that Layne Kennedy often encounters—we’re talking -15 to -30 degrees Fahrenheit—but his experience with and guidelines for cold-weather shooting can provide you with a considerable degree of comfort no matter what the temperature.

Chris Maher and Larry Berman  |  Jun 01, 2007  | 

Consistently achieving accurate color may be digital photography's most difficult skill to master. Shooting the same subject under different lighting conditions can cause unacceptable color variations which can be difficult and time consuming to correct later. Digital cameras have many more color balance options than film ever did, but when the ambient lighting changes from...

George Schaub  |  Aug 19, 2014  | 

In this article we’ll be exploring various in-camera creative options. Today’s cameras contain microprocessors that are like having a custom photo lab and graphic art studio built-in. In the color realm they allow you to choose color saturation (vividness), neutralize or enhance color casts (white balance) and even create custom color renditions to match every subject and scene. Drive modes allow you to capture fast action “in a hurry” and pick out the best frame, aiding you in getting the best sports shots you ever made.

Jim Zuckerman  |  Nov 24, 2014  | 

There are many kinds of white light. At first this statement seems like it doesn’t make sense, but if you look closely at a typical light bulb in your living room (the old kind, not the new florescent type of bulbs) and compare it with, say, a daylight florescent fixture, the light bulb is much more yellow than the florescent light. Similarly, if you compare sunrise and sunset lighting to the light from an overcast sky at noon, the lighting from low angled sunlight is very yellow—it looks golden, in fact—and the cloudy sky produces a white light that is more bluish.

Jim Zuckerman  |  Dec 24, 2014  | 

There are many kinds of white light. At first this statement seems like it doesn’t make sense, but if you look closely at a typical light bulb in your living room (the old kind, not the new florescent type of bulbs) and compare it with, say, a daylight florescent fixture, the light bulb is much more yellow than the florescent light. Similarly, if you compare sunrise and sunset lighting to the light from an overcast sky at noon, the lighting from low angled sunlight is very yellow—it looks golden, in fact—and the cloudy sky produces a white light that is more bluish.

George Schaub  |  Feb 01, 2009  | 

If you love black and white photography you should check out the tools and techniques that allow you to make customized “conversions” from your RGB digital image files.

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