Pro Techniques

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Jack Neubart  |  Feb 01, 2011  | 

“My look is all about capturing a natural quality in the person I’m portraying,” Bil Zelman observes. “I find that strobe is very distracting for people.” That doesn’t mean that Zelman entirely shuns strobe. On the contrary, he’ll use it, but more often than not chooses available light to imbue the shot with the quality he’s after. As we’ll...

Jon Sienkiewicz  |  Aug 09, 2024  | 

You stumble into your favorite Starbucks half-awake as you do every morning and WHAM! There's Elvis standing at the end of the counter — fringed shirt, sequined guitar strap and all. You do a quick draw from your iPhone holster while The King patiently waits for his venti peanut butter banana flat white with an extra three pumps of funnel cake syrup, but — damn! — the battery is dead. What do you do? You're missing your chance to join the annals of consumer photojournalism and a shot at certain Instagram history. That's about a zillion Likes being blown to tarnation.

Steve Bedell  |  Feb 01, 2011  | 

Eric Luden is a former executive at Ilford Photo, a noted commercial and fine art photographer, and the founder of Digital Silver Imaging, a New England lab that works exclusively in black and white. During the 1990s, he served as a consultant with Eastman Kodak’s black-and-white division before joining Ilford, where he worked for over 12 years. In 2006, he became the VP of North American...

Jack Neubart  |  Sep 01, 2008  | 

Twenty years in business together, the team of Bohm-Marrazzo (Montclair, New Jersey-- www.bohm-marrazzo.com) comes well equipped to tackle the challenge of photographing kids and animals for their advertising clients. Experience has taught them to incorporate these highly animated subjects into the picture to make an...

Lindsay Adler  |  Apr 21, 2014  |  First Published: Mar 01, 2014  | 

A powerful portfolio involves so much more than just a strong grasp of the technical aspects of photography—it’s a complex mix of style, techniques, and intriguing ideas. Many photographers struggle to achieve a high-impact portfolio, feeling that they lack the creative spark to invigorate them and move their work forward.

Rosalind Smith  |  Oct 01, 2003  | 

Bruce Myren, photographer, digital guru, and dedicated artist, is often cast in the role of the assistant who doesn't carry lights or equipment. He quietly trails into a shoot behind some of the area's top pros who don't happen to shoot...

Jay Abend  |  Jan 01, 2001  | 

The word "portrait" has had a fairly strict definition for ages. From the days of Rembrandt and Carravagio through modern photographic masters like Richard Avedon and Irving Penn, the portrait has remained a constant. While techniques...

Jay Abend  |  Apr 01, 2000  | 

If you still think of portraits in terms of main light, fill light, and key light, I think you're missing out on some fresh and exciting techniques. While the classic studio portrait is still practiced by lots of amateurs and practically every...

Jim Zuckerman  |  Jun 20, 2014  | 

Previously I discussed photographing bubble solution stretched across a frame. You can get the same swirling pearlescent colors in the spherical surface of a bubble as it’s sitting on glass. When I was experimenting with this a few years ago, I discovered that you could even blow a bubble inside a bubble and then another one inside of that. Image (#1) is a picture of a bubble in a bubble in a bubble in a bubble.

Clark Salisbury  |  Nov 21, 2011  |  First Published: Oct 01, 2011  | 
Ever since I was a kid, I have been fascinated with 3D viewing of photographs. In grade school, in the 1960s, the school library had a simple viewer with pairs of black-and-white stereo images. I loved to look at those over and over again.
Joe Farace  |  Mar 01, 2002  | 

You know how it goes: The Art Director says, "I know you can photograph right-handed baseball players, but can you photograph left-handed ones?"

An unfortunate reality of the...

Jay Abend  |  Nov 01, 2002  | 



Surreal Composites
--A great technique is to take a collection of original images and combine them to create a fanciful and surreal final image. For this other-worldly desert scene I took four original film shots of...

Maria Piscopo  |  Apr 01, 2006  | 

In my workshops I often get asked, "How do you find digital clients?" I think there is a myth surrounding the word "digital." Photography clients are not really "digital" as a category to target in your marketing. Clients are hiring you to create images and, if it is commercial work, buying the use of those images. If it is consumer, wedding...

Maria Piscopo  |  Feb 01, 2006  | 

As photo businesses go, David Alan Wolters (www.DavidAlanWolters.com) started out as many of our readers--a 12-year-old kid with a camera trying to find a place for himself in the world. Again, like many of us, Wolters went on to work on the high school yearbook as a photographer. Raised in the small town of Spring...

Jon Sienkiewicz  |  Feb 01, 2010  | 

For all practical purposes, you can narrow your film scanning options down to four choices. There are three types of scanners: drum, flat-bed, and dedicated film scanner. The fourth alternative is to have your film scanned by a professional lab.

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