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The world of photography offers a wide array of camera systems, each designed to cater to different needs and budgets. And one of the key considerations is choosing a model with a sensor size that works best for your style of photography.

One of the most common questions we get from beginner photographers is: What's the best lens to get started in portrait photography? Of course, there's no right answer to this question. Some beginner portrait photographers are fine with the basic kit zoom lens that came with their camera. Others want to try something higher quality.

Color control of our photographs is at our fingertips. It's there, in the camera, all those choices about how we're going to make the most of color, to modify, intensify, or otherwise change it. We have picture controls, scene modes, special effects, exposure compensation, and white balance just waiting to help us make the most colorful photographs ever, right?

One of the most important decisions a photographer makes occurs after a shoot. You've shot tons and tons of photos and now you have to decide which ones are good, and which ones are not. 

Every so often when you attempt to open an image, Photoshop gives you an “Embedded Profile Mismatch” warning. If you’re unsure what this means and how to deal with it, the following tutorial will set you straight.

Jill Freedman is not one of those names that readily rolls off the tongue when we discuss documentary photography. But it should be. Her documentary photographs are as real, as telling, as poignant as it gets. They are moments captured in a style all her own, albeit with the same measure of truth as a Dorothea Lange portrait of life during the Great Depression.

Travel photographer Pierre T. Lambert recently broke his Sony 16-35mm f/2.8 GM lens and rather than take it to an authorized repair shop, he decided to open it up and see what was broken inside the $2,300 lens. Smart move? Probably not but, luckily for us, he shot a video of the lens teardown, which we have embedded below.