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One of the first things many of us learned when first getting started is to always use the lowest ISO setting possible. While this rule may be true in certain situations, other times it can be detrimental to the images you make.

A good friend once told me, “When you’re doing something, you’re not doing something else.” This Yogi Berra-ism is actually great advice. When considering a photo project, think about its commercial potential. You can spend a year photographing the slime left by snails at night, but does anyone want to see that? More importantly in this increasingly web-focused world, will they share it in their social media feeds?

This is the second day of the week, which means it time for another great episode of “Tutorial Tuesday” from the experts at Park Cameras—one of the leading photo retailers in the UK. Today’s topic is Photoshop’s powerful new Remove tool that you’ll learn how to use to clean up your work.

Professional photographers are always on the lookout for reliable ways to streamline their workflow, automate tedious, repetitive tasks and bolster the consistency and clarity of their creative vision. Thousands of photographers worldwide have incorporated Neurapix into their post-processing procedures. Two highly successful pros tell us why they adopted Neurapix and how Neurapix has affected their businesses.

Don’t believe it when tell people tell you it’s wrong to shoot portraits with a wide-angle lens. If you know what you’re doing, your results can be eye-catching and super modern-looking.

Here’s an interesting video from photographer Pierre T. Lambert. It starts out with what looks like a spectacular photo shoot of a waterfall in the Philippines but then abruptly stops when Lambert explains how everything went wrong.

When first starting out we all faced a barrage of so-called "Rules of Photography" that supposedly would set us on the path for success. But as our skills evolved it became apparent that some of these rules we're meant to be ignored.