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One often overlooked technique for improving outdoor photographs is using a your camera’s built-in flash or a more powerful external unit for filling in shadows, adding sparkle to a subject’s eyes and much more. If you think this requires complicated camera and flash settings, read on.

Last week we presented a quick solution for eliminating ugly color fringing from photographs captured outdoors in high-contrast situations. Today we're tackling another unsightly problem; namely, color banding and gradient banding that can also ruin an otherwise great shot.

Starting in the business of fine art photography is not easy. More than anything, there will be a lot of peaks and valleys ahead. In this column, we look at how to navigate some of these issues, find clients, seek gallery representation, and market your work. Thanks to my contributing photographers: Larry Angier, Michael Garlington, Laurie Klein, RJ Muna, and Brooke Shaden.

Chicago-based photographer and filmmaker Eric Flobeg has been shooting weddings for seven years and he’s learned a lot along the way. In the below video, Floberg shares some of his own tips and strategies for how to get started as a wedding photographer, along with tips and strategies he’s picked up from his colleagues in the wedding photography business.

We’re lucky. Digital camera features improve at a lightning-fast pace, but our real needs as photographers increase at a slower, more rational rate. Most photo enthusiasts are rightfully content using a model that’s two or three seasons behind in the “latest and greatest” race because it has every feature they need and then some. This is particularly true with DSLRs, a category that has recently been deemphasized by manufacturers pursuing the mirrorless bandwagon.

What does all this mean to you? It means that the DSLR you longed for when it was first introduced a few seasons back is still a viable, exciting imagemaker, and now you can own it at a cost much lower than when it debuted. MPB, the largest global platform to buy, sell and trade used photo and video gear, has hundreds of DSLRs in stock and priced ready to sell. And because MPB recirculates more than 485,000 pieces of photo equipment every year, you can offset the cost of your purchases via trade-in.

Buying used gear of any kind can be a nerve-wracking experience. But when you’re talking about delicate cameras and lenses, purchasing something secondhand can be particularly challenging.