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One way to make wildlife and other outdoor subjects stand out is to shoot them against a clean background without distractions. While these are difficult to find in nature, there are ways to soften a cluttered background in post-processing. Today, however, you'll learn four simple techniques for getting the job done in the camera.

At one point, Adobe's Lightroom software was new to all of us and, to be honest, we made a few mistakes. That's fine. The idea though is to not keep on repeating those Lightroom mistakes, which brings us to Photoshop guru Lucy Martin's super helpful video below.

One of our favorite ongoing photography shows on YouTube is “4 Photographers Shoot the Same Model,” which just dropped its ninth episode on Jessica Kobeissi’s popular channel. In Episode 9, Kobeissi teams up with Brandon Woefel, Jon Sams, and Zach Allia to photograph model Sydney Harper.

I shoot most of my photos using the LCD screen on the back of my cameras rather than looking through the eyepiece viewfinder. I prefer the LCD screen for several reasons and I think other photographers should seriously consider how the rear monitor can actually make photography easier and your images better.

While Glamour photography might not be everyone’s cup of tea, there are still many photographers out there who specialize in this revealing type of erotic portraiture. One such photographer is Nino Batista who is regarded as one of the premier glamour photography and retouching educators in the U.S.

We all strive for precise focus, no matter what type of images we shoot. But critical sharpness is particularly important with macro photography, and it’s not always easy to achieve.

We all strive to make images that stand out the crowd, and one way for digital photographers to do that is to create photos that look like they were shot on film. In the video below you’ll see how to do that in less than six minutes.