If you enjoy photographing architectural details, chances are that you also love taking pictures of windows. As subjects, windows are plentiful, and they usually represent a particular style or character of the building that they inhabit. Whether it's an elaborate stained glass window of a church, or a...
Anytime Adobe releases a new version of Photoshop there are a host of opinions expressed about this universal graphics and photo image-editing and manipulation program. Since Photoshop affects so many personal and professional lives, we asked the opinion of seven acknowledged Photoshop experts on a...
David B. Brooks | Sep 01, 2002 | First Published: Sep 01, 2001
The Microtek Scanmaker 8700 Pro flat-bed, dual-bed scanner provides the typical 8.5x14" reflective print scanning of a flat-bed plus Emulsion-Direct film scanning via a film drawer that accommodates all film sizes from 35mm through 8x10". For a...
I began my column last month by saying, "I really never know what to expect when I'm taking one of my classes on a field trip." Boy, is that the truth! Since I began this column a couple of weeks ago I've been on several more field trips, all of which have continued to...
Most devoted photographers will have several different types and sizes of light boxes for use in a variety of situations. Possibly the most common use for a smaller, basic light box is in the darkroom to evaluate a negative or transparency prior to...
Recently, I was at a local dance studio taking a headshot for one of their dancers, Crystal. While headshots can be fairly straightforward, it is always good to keep different lighting approaches in mind. Here, I ran through some fairly fundamental...
Produced in cooperation with Panasonic, Leica's 4-megapixel Digilux 1 digital camera has a die-cast magnesium body and a form factor that echoes their traditional rangefinder cameras. When I first heard the Leica Digilux 1 would take styling cues...
Rosalind Smith | Sep 01, 2002 | First Published: Aug 01, 2002
Judith Vejvoda began her photographic career at the Art Institute of Boston in 1982. While there she photographed jazz musicians and performance pieces that were published in the Boston Globe Magazine. In 1998 she left Boston and pursued her graduate degree...