Special Report: photokina
New 35mm And Digital SLR Cameras Page 3
Novices will love the E-300 EVOLT's 17 subject-specific Program modes
while experienced photographers will appreciate the familiar auto and manual
options, various overrides, and the fast, 2.5 fps framing rate in JPEG, TIFF,
raw, and raw+JPEG recording modes. Compatible with all Zuiko Digital lenses,
the new camera also accepts most of the E-system accessories.
The world's first digital SLR with a built-in Anti-Shake (Image Stabilizer)
system, the 6-megapixel Konica Minolta Maxxum 7D (http://konicaminolta.us)
employs the CCD-shift technology already available in some DiMAGE-series cameras.
This system--illustrated with a transparent body at photokina--instantly
shifts the sensor module within a wide range in all directions to compensate
for virtually any type of camera shake. In my preliminary tests, the system
proved to be amazingly effective. Resembling the 35mm Maxxum 7, this new Maxxum
digital SLR is a mid-size (1.68 lb) camera with similar dial and lever controls,
magnesium-alloy body parts, and oversized 2.5'' LCD monitor. It's
loaded with automatic, semiautomatic, and manual options for simplicity and
full creative control.
The Maxxum 7D features Konica Minolta's latest CxProcess III technology
for great image quality while high speed is achieved with the new Advanced LSI
engine designed to provide fast data transfer. In Continuous shooting, the camera
allowed me to make 15 full resolution JPEG Fine images in a sequence, or nine
raw or raw+JPEG shots, at a fast 3 fps that's useful in action photography.
The nine-point autofocus system is also very fast and employs a central cross
hair sensor plus eight line sensors canted at various angles for great reliability.
Anyone who owns Maxxum lenses really must check out this digital SLR camera.
Frankly, it would be a fine choice for any photo enthusiast, particularly those
who often shoot with long lenses and want sharper photos without the frequent
need for a cumbersome tripod. (Estimated price, $1599.)
These days, there's no need to pay a lot of money for a high-performance
digital SLR camera. The new Pentax *ist DS (www.pentaxusa.com),
for example, is significantly less expensive than the original *ist D. In spite
of the lower price, the new model is a 6-megapixel camera employing the same
CCD sensor and advanced image processing technology. The smallest and lightest
(1.1 lb) digital SLR on the market, the *ist Ds is easy to use, making it ideal
for first-time digital SLR buyers. It includes a host of user-friendly features,
including a large 2" LCD screen, 11-point autofocus sensor, many automatic
modes, and simplified controls such as a mode selector dial with many options.
Serious shooters will appreciate the more advanced *ist DS options: 2.8 fps
framing rate (for eight shots), 18 Custom Functions, raw and JPEG recording,
semiautomatic and manual modes plus the usual controls for exposure, white balance,
ISO, etc. Although it's missing a few non-essential *ist D features, the
new Pentax *ist DS includes all of the most useful capabilities and the rugged
stainless steel chassis. It's also compatible with most Pentax lenses,
including those in K and KA mount, with only a few limitations. This is a real
bonus, especially for anyone who owns older K-mount lenses and wants to get
into digital SLR photography without spending a lot of money. (Estimated price,
$899.)
Converting From Film To Digital
First shown at the PMA Show in February 2004 as a "product in development,"
the 10-megapixel Leica Digital-Modul-R
(www.leica-camera.com)
device shown at photokina was functional and should be available for purchase
soon. (Estimated list price, $5000.) The accessory sports lots of analog controls
for digital features that will be appreciated by Leica aficionados. Only problem
is that the module is actually very large and heavy (26 oz) because it includes
a hard drive, battery holder, and handgrip. Its 10-megapixel Kodak CCD sensor
is quite large, too (26.4x17.6mm effective imaging area), so the focal length
magnification factor is only 1.37x. In order to maintain optimal image definition,
no anti-aliasing filter is used; a moiré filter is available but can
be turned off when desired.
An R8 or R9 camera with the Digital-Modul-R includes many of the digital features
that serious photographers expect, including extensive white balance and color
temperature control; sharpness, color saturation, and contrast level adjustments;
ISO options from 100 to 1600; 1.8" LCD monitor; histogram display; raw,
JPEG, and TIFF recording modes; and more. I found the FlexColor Raw converter
software (from Imacon, the maker of the module's processor as well) to
be incredibly versatile; this program will be a real bonus for purchasers of
the Leica Digital-Modul-R.
Pick Of The Show
by Uwe Steinmueller
Photokina 2004 showed that the high-end of digital imaging is getting both more
exciting and more crowded. The Canon
EOS-1Ds Mark II, at 16.7 megapixels, and the Nikon D2X, at 12.4 megapixels,
are going up against the medium format digital back market. But the medium format
market is by no means standing still. The most interesting announcement came
from Mamiya, with their new Mamiya ZD. This will be a 22-megapixel medium format
digital SLR (fully integrated) and is rumored to be sold at about $10,000- $12,000.
Also, Hasselblad showed an integrated solution as well, the 22-megapixel H1D.
This camera should cost about $20,000 and will ship soon.
We also got a chance to see the Leica Digital-Modul-R. This may not have a big
impact on the digital SLR competition, but it might just be a precursor to a
future Leica M Digital. If Leica together with Imacon will get the digital part
right the Leica M Digital will be a very exciting camera.
Olympus presented its E-300 EVOLT consumer Four Thirds digital SLR (price was
not set yet). This 8-megapixel digital SLR completes the growing Olympus Four
Thirds system. If everything is right with this camera then Olympus will have
a strong player in the sub-$1000 digital SLR market. Olympus also announced
some lower priced consumer lenses as a match to the E-300 EVOLT.
What's new in the world of the raw file format? In my opinion the new
DxO raw converter deserves our attention. Adobe announced its Digital Negative
Format (DNG) to standardize raw file formats for cameras. It is way too early
to gauge the reaction of manufacturers right now, but my feeling is that we
shouldn't expect Canon and Nikon cameras to adopt it anytime soon.
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