Personal Project; The RV Digital Darkroom; Takin’ It On The Road
My wife and I live in an alternate universe. It’s called “RV Land.” We inhabit a vibrant subculture in which people live full-time in various types of recreational vehicles. An RV is a little home on wheels, able to carry computers and camera gear along with a full life support system. It requires a diet of gasoline but the expense seems trivial as we pass hundreds of motels without digging out the credit card. If I’m on assignment with a deadline, there’s no problem. Wi-Fi hotspots are ubiquitous. I process my images and upload them to my clients. Wi-Fi isn’t great, but it’s adequate and rapidly improving.
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Five years ago my wife and I became full-time RV dwellers. We got rid of the house, said goodbye to colossal home payments, and purchased a 38-foot motorcoach. We have celebrated this decision every day. Full-time RV life isn’t for everyone, but it’s a great platform for a photographer.
I have the same digital darkroom wherever we go. I have a laptop, a desktop, a 22” monitor, four external hard drives, a scanner, and an Epson R1800 printer. Tripods, light stands, lights, backdrops, and a mighty telescope are kept in our
storage bays.
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Electrical power isn’t a problem, even in a place like Death Valley. A pair of big solar panels on the roof send energy to four deep cycle batteries. A pure sine wave inverter takes the 12v current from the batteries and turns it into 110v AC. Batteries don’t like to be fully drained, so I keep my eye on the voltage meter. When the sun doesn’t shine a big generator is the fallback power source. It consumes one gallon of gasoline per hour. While it runs the devices in the coach it’s also recharging the batteries.
Many big-rig RV drivers have a “toad,” a conventional automobile attached by a tow bar. For obvious reasons, the favorites in the RV world are small vehicles with four-wheel drive. Some prefer motorcycles. You can go almost anywhere, no matter how remote, if you plan well and use the right equipment.
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