Imacon FlexTight Precision Scanner
There is a very real difference
still between professional scans and what the individual user can achieve
even with the latest and best personal scanners. To a large extent this
professional level of scanning remains the realm of drum scanners and
their highly accomplished professional operators. Imacon with their
FlexTight Precision scanner is an exception to this with an unusual
CCD scanner design which performs at a high professional level. This
alone would be significant, but the FlexTight also supports very efficient
operation for high productivity, and its software makes accurate perceptually
adjusted color correction as quick and easy as the best of the newest
personal scanners currently available. |
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This system supports scanning all film sizes from 35mm, including all 120 formats from 6x4.5cm through 6x12cm to 4x5, as well as up to 8.5x12" reflective art. The FlexTight scanning light source is adaptive and combined with the 3.9 density range of its sensitivity enables making full range scans of even underexposed chromes. This is further aided with 35mm slides by selecting the landscape aperture of the film holder which supports the greatest light transmission through the film. The resulting scans are 14 bit per channel, and the full color depth is displayed in the ColorFlex software preview. The color accuracy of the preview for making precise perceptual color correction in the ColorFlex software is assured by a comprehensive guide to do an optimal monitor calibration as part of the Imacon FlexTight Precision setup. The scanner's power supply is from normal 110/120 AC, but the power supply module is external, removing the effect of heat and electromagnetic noise from the scanner itself. |
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Using
The Imacon FlexTight Precision Scanner. Once installed and set
up, which was accomplished easily and simply following the well documented
instructions, I did a few initial test scans with familiar film images
I use for evaluation. I then embarked on an ambitious scanning task feeling
confident I could us the ColorFlex software's very straightforward
color correction tools effectively. This involved scanning a dozen black
and white 21/4x31/4 from a collection of photographs a colleague, James
Chen, had acquired from the estate of a world traveler. These images were
made in Asia and the Middle East 40-60 years ago, and many were film-pack
negatives which had obviously been tray processed. I won't get into
how much retouching of dirt and scratches these images required, but once
that work was done, the quality of the image files was astoundingly fine
especially considering the originals were all over the place in exposure
and development. Test prints confirmed the qualities the Imacon FlexTight
Precision was able to record, which were particularly rich due to the
fact the originals were scanned as if they were color negatives resulting
in full 24-bit RGB files. |
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Technical Specifications |
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