Some times you have to do the creativity the old fashion way and make up for what you could not get in the intial shot.
Please comment briefly on an NR workflow you have found effective.
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I ONLY shoot in RAW, where NR is part of the RAW-image software that you use (some RAW-image editors are MUCH BETTER at noise-reduction and image CLARITY than others). I however, do benefit from the camera's long-exposure NR as that's part of two images, one being a reference which cancels-out a lot-of long-exposure noise.
I believe that the only time that you should have a low noise reduction is when you want a great clean photograph as any photographer has their own preferance. If you decide to raise the noise it should apply to either texture or what you see fit for your image. I also believe that you should be able to control noise as a option. Thanks
Hi, My camera is a Panasonic Lumix DMC-FZ7, the in-camera noise reduction function cannot be turned off, just set to high, low or standard. I usually remove noise in Corel Paint Shop Pro 9 because there is more control on how much noise reduction to apply.
I believe dealing with the NR issue during photo capture will lessen the effort and time afterwards. It's all about workflow and time/effort expenditure. This frees you up to concentrate on other issues.I believe in taking advantage of technical resources.After all, technology only serves to enhance our lives, not to make them nore difficult.
NR is the antithesis of sharpness of image so you have to decide which one you want most. Areas for NR/sharpness can be selected by say masking selectively within an image in the post shoot processing-this way you have total control. I think most cases this is what you would want. Also many plug-in noise reducers have better algothirims than the in- camera software.
For maximum detail in the negative (RAW) image, you should keep all noise reduction (outside of the non-changeable tiny amount that is done in camera)off. Algorithms for noise reduction such as Noise Ninja that are run on the computer are far more flexible and accurate than that run in the camera.
I always handle noise reduction in Photoshop rather than as a camera function. This gives me a lot more flexibility and I believe better results when I do need it. I shoot RAW and handle most of my noise reduction in ACR by adjusting the Luminance Smoothing (and sometimes the Color Noise Reduction) slider when I convert my files. If that doesn't solve the problem I resort to my Noise Ninja plugin which takes care of the rest.
I don't worry about noise while shooting. I have Nikon digital SLRs and their excellent digital darkroom software, Capture NX, has an outstanding noise reduction tool. I use it on almost every photo I take, as I prefer a smooth look to my photographs. And, using NX's high pass sharpening tool, I don't lose any sharpness or detail.