Staff

Staff  |  Jan 21, 2014  |  First Published: Dec 01, 2013
Our Picture This! assignment this month was “Going Around in Circles” and readers sent in what one could characterize as “active” and “passive” interpretations. The active ones literally show something or someone going around in circles, a kind of visual pun on the topic, while the passive ones are more found objects and scenes that use the circle as a starting and strong point of the composition. We appreciated the irony of the former and the point of view of the latter. We also are continually struck by the high level of image making we see from readers, and have to say that this was one of the toughest assignments for us to edit down to the images you see selected here.
Staff  |  Dec 20, 2013  |  First Published: Nov 01, 2013
A sense of scale is created by the juxtaposition of objects and subjects within the frame that establishes a size relationship based upon that juxtaposition. That sense of scale can be based upon distance, on the “true” relative sizes of the elements, or on the use of optics that exaggerate the relative sizes through near-to-far relationships that are established with the clever use of depth of field. While wide-angle lenses are most suited to creating the latter effect, in fact the setup can be made with virtually any lens, given a certain point of view of the photographer. In most cases a deep depth of field works best, since the mind can better grasp the intention when all objects within the frame are sharp. Readers sent in a wide range of images, some almost surreal and others that showed an awesome world in which we are merely the smallest of spectators.
Staff  |  Dec 18, 2013
In this month’s issue we feature black-and-white photography in all its power and glory with portfolios of portraiture, location, and street photography. We also hone in on a series of tests covering dynamic new cameras from Canon and Panasonic, a look at a B&W-focused inkjet paper, and an exciting close-up lens from Tamron.
Staff  |  Dec 10, 2013  |  First Published: Nov 01, 2013

The New Art of Photographing Nature: An Updated Guide to Composing Stunning Images of Animals, Nature, and Landscapes (Amphoto Books, $29.99) is from world-renowned photographer Art Wolfe and writer and photo editor Martha Hill, with Tim Grey. In this revised edition, the text has been updated throughout to reflect the dramatic changes in photography since this classic was first released in 1993. More than 50% of the beautiful images are all new, and a new contributor, digital imaging expert Tim Grey, shares sidebars throughout offering tips on digital imaging and processing.

Staff  |  Nov 18, 2013  |  First Published: Dec 01, 2013
On The Cover
In this issue we bring you a range of camera, lighting, and even pro-graphics-level monitor tests as well as an insider’s look at eBooks for photographers. And in keeping with our respect for and legacy coverage of camera classics, a look at a collector’s camera “bookshelf” and an exclusive report from Tokyo on prices garnered at one of the biggest user/collectible shows in Japan.
Staff  |  Nov 08, 2013  |  First Published: Oct 01, 2013
This month’s Picture This! assignment was Color Play, where we asked readers to include as many colors as possible within the frame. Interestingly, the large majority of images we received were of subjects of man-made origin, perhaps showing that as humans we are so taken with color that we see it as an essential element in all the things we make. All in all, this assignment was a colorful one indeed.
Staff  |  Oct 17, 2013  |  First Published: Nov 01, 2013
In this issue we look at travel and nature photography with an emphasis on ops and issues in the colder regions. Covered gear this month includes a clever tripod kit, a new EOS Rebel, a fast Tamron zoom, and software for retouch and black-and-white magic.
Staff  |  Oct 04, 2013  |  First Published: Sep 01, 2013
August, 8:45pm. The sun just set and the mercury is still hovering above 95. Not even a whisper of a breeze. It’s hot. It’s too hot to sleep, too hot to work—too hot to think. My only hope sits out back, parked on a pad covered with pavers. I simply need to turn the key, press the start button, and my ride will roar to life with only a single thought—escape the heat! I head west on State Route 412, a lonely deserted road that goes nowhere but has lovely sweeping curves and hard level straightaways where my baby can cut loose. With my feet on the pegs, the wind blows my hair back and sweat evaporates from my skin. Blessed relief!
Staff  |  Sep 24, 2013  |  First Published: Aug 01, 2013
When this old pebble balanced there by the Ice Age thousands of years ago in the Garden of the Gods Park near Colorado Springs, Colorado, tumbles from its perch, it could be the end of the world. I used a slow shutter speed to get this shot as the old boulder wasn’t shaking at the time. But who knows?
Staff  |  Sep 17, 2013  |  First Published: Aug 01, 2013
Our Picture This! assignment this month dealt with the entirely photographic and visually arresting technique built around the idea that foreground/background sharpness differentials can create both a painterly effect and a more prominent foreground subject, thereby adding a sense of dimensionality in what is essentially a 2D medium. This approach considers more than just what is sharp and unsharp, but also has a profound effect on compositional decisions, where the placement of the unsharp portion of the image can be used to juxtapose or, more likely, reinforce the color and design of the subject that sits at the main point of sharpness. Readers sent in a wide variety of images, with the preponderance being natural subjects, which for many seemed to be a perfect way to express this technique.

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