Frances E. Schultz

Frances E. Schultz  |  Sep 01, 2006

Leonard Bernstein's Mass is the next thing I want to buy for my darkroom. It might seem an odd choice, but for me the darkroom is not only a place of work: it is also a place of sanctuary. We quite often get letters from people who are returning to the wet darkroom, or are setting one up for the first time. What is the appeal? After all, you can now just sit down in front of...

Frances E. Schultz  |  Jul 01, 2006

You might think that there is not much scope for innovation in camera tripods. You would be right. After all, the number of legs is fixed (though there are monopods, and there have even been a couple of bipods) and their sole function is to hold a camera on top (though again, some make provision for hanging it underneath). But the truth is that tripods are like James Bond movies.

Frances E. Schultz  |  Jun 01, 2006

While digital, as expected, dominated the show, silver-halide materials were still to be found. These included three new films; faster films in single-use cameras; a new 35mm film support to reduce static (and therefore dust); new archival storage materials; the promise of new papers; and even--somewhat to my surprise--a lonely enlarger on one of the Chinese stands.

Frances E. Schultz  |  Jun 01, 2006

Looking at the latest camera bag offerings has an extra piquancy when you are in the market for a bag yourself, as I was at this year's PMA. My husband Roger Hicks had just bought a new laptop, which was a very tight fit indeed in his existing camera bag. We needed something new. We ended up with the CompuTrekker AW backpack from Lowepro--but along the way, I was...

Frances E. Schultz  |  May 01, 2006

Slingshots may seem like odd travel accessories, but these SlingShots are two dispatch rider-style backpacks--also known as bandoleer bags and, yes, sling bags--from Lowepro.

They are part of the "Designed for Digital" range, but don't let that worry you: they are at least as good for film cameras. Yes, they are designed especially for...

Frances E. Schultz  |  Feb 01, 2006

There are quite a few new photographic papers available this year, despite many changes in the business. As with film and chemistry, the paper business was affected by the "Ilford Factor."

From late August 2004, when Ilford went into receivership, to early February 2005, when a management buy-out succeeded, the future of Ilford was in some doubt.

Frances E. Schultz  |  Feb 01, 2006

"Sorry, that's been discontinued." The salesclerk shakes his head. And that, you realize with sinking heart, is that: no more of your favorite film, paper, developer, whatever. These are trying times. What do you do?

First of all, make sure he's telling the truth. Far too often, "That's been discontinued" actually means...

Frances E. Schultz  |  Jan 01, 2006

If a picture is really brilliant, you don't have to worry about grain or sharpness or anything else: to quote Mike Gristwood, late of Ilford, "How much good would it do you to know the technical details of any one of Henri Cartier-Bresson's pictures?"

By the same token, if a picture is really bad, no amount of technical brilliance is going...

Frances E. Schultz  |  Nov 01, 2005

The way the battle lines are drawn, you might think that all photographers are committed exclusively to silver halide or exclusively to digital and n'er the twain shall meet. It isn't so. In reality the twain have met. More and more photographers weave seamlessly between the two without a thought. It's only the die-hards in each camp that refuse to acknowledge...

Frances E. Schultz  |  Sep 01, 2005

After looking at the prints I had just given her, my neighbor Genevieve said, "I have never seen prints of these photographs before."

It all started when she showed me a box of 6x4.5cm glass plates from 1923-'35. It was a collection of family photos of her father, aunt, and uncle when they were small children. In France glass plates were used for far...

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