Lens News

The first thing most landscape photographers do upon arriving on location is to pull a wide-angle lens out of their bag. This approach may work great for shooting expansive scenes, but it will also give images a familiar look, and can even stifle one's creativity.

This isn't an ad. It's a how-to that gives you the ins and outs of using lens mount adapters to inexpensively engage some of the best glass ever made—easily and cheaply.

We're amazed that not everyone knows this. Nikon Z owners can adapt legacy Nikon F-mount optics—made by Nikon, and state-of-the-art when they were originally introduced—that work in Manual Focus Mode and Aperture Priority or Manual Exposure Mode—and they're a genuine steal compared to the price of modern optics. It's very easy and very affordable. A huge plus: while many don't realize it, the image quality is exceptional, even when compared to current lenses. Wait—there's more…

There's never been a better time to get a great deal on a new lens for your mirrorless camera. Here's a list of 13 super deals, all priced at $159 or lower — some as low as $51.

Here's a reassuring claim from the folks at First Choice Photo: "Capturing amazing photos doesn't have to be challenging" if you understand the concept of EXIF Data and how it can be used to evaluate images. After watching today's 11-minute primer your photography skills will improve, and you'll also learn how to safeguard your precious files.

There are plenty of bargains out there for older lenses that can be mounted directly on modern cameras, or by using an affordable adapter depending upon the specific brands. And not only are these vintage options cheap, but sometimes they outperform their modern counterparts in term of imaging characteristics and build quality.

It's surprising how infrequently some photographer's clean the sensor in their cameras, all the while aiming for the best image quality possible. Dirty sensors cause a variety of problems, not the least of which are ugly dusts spots and other artifacts on every image you shoot.

There are numerous reasons why experienced landscape photographers avoid shooting wide open and prefer stopping down the aperture to f/8 or f/11— even if that means bumping up the ISO setting. So why does a German landscape pro advocate for faster glass when he rarely shoots at maximum aperture?