Lens News

The late Mr. Newton was certainly onto something. I believe the overwhelming desire of most portrait photographers is to please the client, with seduction, amusement, and entertainment far from their minds. Let me submit this idea: shoot what the client says they want and then shoot something challenging their assumptions. Most wedding clients tend to be traditional but even introducing black and white or infrared images can increase sales and show clients you’re thinking outside the veil.

Last fall during Photokina we ran a report on the weirdest lens we’ve ever seen, the Laowa 24mm f/14 2X Macro from Venus optics. And now, although there is still no information on availability or price, the Chinese company has released three short videos illustrating the capabilities of the lens.

Shopping for new gear is always exciting, but choosing among the myriad of options available can be a tedious and time-consuming task. Now thanks to the new website What The Lens, finding a lens that’s ideal for your style of shooting is easier than ever before.

Capturing “the decisive moment” is more than just clicking the shutter at the right time and it’s more than luck, too. It’s an artful combination of experience, talent, and preparation. Being prepared for the unexpected is just as important to photojournalists and documentary photographers as it is to a Scout and that includes selecting and using gear that can be deployed at that right time, even if preparing for a single shot or two takes several hours. Some of these tools may be obvious while others not so much.

There’s no more iconic focal length in Nikon folklore than 105mm. I remember the day in the 1980s when I purchased the legendary Nikkor 105mm f/2.5 lens (at prices that seem ridiculously low these days) from Denver’s Robert Waxman Camera and thought I’d finally made it. I felt some of that same rush of excitement when I picked up the new AF-S Nikkor 105mm f/1.4E ED lens ($2,196). While designed for FX (full frame) Nikon F-mount SLRs, it can also be used on their DX cameras that use APS-C-sized sensors, where it produces a 157.5mm equivalent field of view.

If you’re into high quality glass, this is the kind of lens you can get lost in. Build quality is exceptional, performance is outstanding and…I’m getting ahead of myself, but you’ll see the world in a whole new way when you use this lens.

We’re currently at the WPPI show in Las Vegas where the brand new Tamron SP 70-200mm f/2.8 Di VC USD G2 lens is making its debut. Because, unlike in years past, WPPI is scheduled prior to the big CP+ Imaging Show in Japan, breaking product news has been light so far.