Pro Techniques

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Jay Abend  |  Aug 01, 2000  | 

I've always wanted really exotic lenses: super wide fisheyes, perspective control tilt and shift lenses, super fast rare earth element thoroughbreds, and super long telephotos. I've managed to buy, rent, or borrow just about everything out there in...

Rick Sammon  |  Jun 01, 2000  | 

Ever wonder what ingredients professional travel photographers use to make great on-location pictures? Here's my gourmet recipe.

Getting Ready To "Cook."...

Jay Abend  |  May 01, 2000  | 

The Simple Life

I love fancy photography equipment as much as the next guy, but there are times when I like to put away all of the expensive cameras, lighting gear, and softboxes and try and shoot with some basic gear.

...

Jay Abend  |  Apr 01, 2000  | 

If you still think of portraits in terms of main light, fill light, and key light, I think you're missing out on some fresh and exciting techniques. While the classic studio portrait is still practiced by lots of amateurs and practically every...

Steve Bedell  |  Mar 01, 2000  | 

I have to admit something to you. About five years ago, when it was becoming very evident that digital technology would become increasingly important for the imaging professional, I tried to look the other way. I figured it would be a niche market. If they...

Barry Tanenbaum  |  Dec 01, 1999  | 

Lindsay Silverman
Marketing Manager, SLR Program Development
Nikon Inc.

Flexible Flyer. "Don't be married to one method of shooting. Even though the cameras I use can be customized, I...

Barry Tanenbaum  |  Oct 01, 1999  | 

They recognize him, the eagles.
Not all of them, of course, but enough of them so that he can get close...and
closer still. "I learned that eagles can recognize a face for
over 20 years," John Pezzenti,J...

Rosalind Smith  |  Sep 01, 1999  | 

"When showing your
portfolio it is a good idea to offer up a variety of choices--some verticals,
some horizontals, some wides, and some tight details."

...

Jay Abend  |  Sep 01, 1999  | 

One of the most difficult obstacles to overcome for the aspiring studio photographer is the lack of a proper space to shoot. Spare bedrooms, garages, attics, and basements have all been transformed into makeshift studios, and most lack adequate space to...

Rick Sammon  |  Aug 01, 1999  | 

I'm a zoom lens man. I use zooms in virtually all my travel work, making exceptions when I need a macro or super telephoto shot.

This was not always the case. Back in...

Jay Abend  |  Jul 01, 1999  | 

If you have been reading Shutterbug for some time, you're no doubt aware of the constant drumbeat of the digital photography industry. The products used to fall into two categories--expensive cameras that take frightfully bad pictures, or frightfully...

Joe Farace  |  Jul 01, 1999  | 

A tree is a tree is a tree
--Max Sennett

That silent film pioneer may have been talking about why shooting movies on location in Hollywood was a good idea for the fledging film...

Barry Tanenbaum  |  Jul 01, 1999  | 

For years we've been asking professional photographers a variation of the same question: what does it take to be a pro? We may ask, "What's the secret of your success?" (as if it were a secret); or, simply, "What is it that...

Rosalind Smith  |  Jul 01, 1999  | 

"Your camera is like
a Geiger counter. It takes you to the right place. When it faces something
that doesn't interest you, there is no tick-ticking, but when
it faces something you like, it is tickingaway....

Rick Sammon  |  Jun 01, 1999  | 

Many amateur photographers have a simple remedy for shooting in low-light conditions--they turn on their flash units and blast the hell out of a scene or subject. Well, that technique sure is effective. For a more pleasing and more creative picture...

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