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Image-editing expert Nathan Dodsen doesn’t mess around when it comes to Photoshop, and in the detailed video below he provides a comprehensive demonstration of nine retouching techniques that he says are essential for all serious photographers.

When Sigma introduced their new super-wide zoom in late 2016 I was eager to give it a try. Among their Art lens offerings, the Sigma 12-24mm f/4 DG HSM lens ($1,599, MSRP) serves as an upgrade to their 12-24mm f/4.5-5.6 (still available at an MSRP of $949) with a constant f/4 aperture; a nine-bladed diaphragm; FLD glass elements; an updated HSM (Hyper Sonic Motor) that uses 1.3x the torque for fast and smooth autofocus operation; 16 elements in 11 groups construction; and what Sigma claims is “the largest aspherical element in the industry” to minimize distortion, ghosting, and flare. The angle of view ranges from 84 to 122 degrees, with mount compatibility for Canon, Nikon, and Sigma DSLRs.

We’ve all been there: Your best friend begs you to shoot his wedding in exchange for a case of cheap beer because he’s “really short on cash.” And no matter how much you protest that you’re a wildlife photographer and have never shot a wedding, the response is “I’m sure you’ll do great."

Many of the most dramatic outdoor images are made by experienced photographers using neutral density (ND) filters in conjunction with long exposures. In the video below you’ll learn everything you need to know about choosing the proper ND filter for the scene at hand and using it properly.

British filmmaker John Downer has been capturing amazing footage of wildlife for years, but now he and his team at John Downer Productions have upped their game with the use of realistic robotic animals fitted with built-in spy cameras. As you can see from the video below it's all pretty amazing.

We’re all familiar with the common dilemma when shooting landscape photos in which a compromise has to be made between a blown-out sky and an overly dark foreground. In the video below, image-editing expert Nick Page demonstrates why an exposure-blending technique is far more effective than global highlight/shadow adjustments or using an HDR plugin.