Lens News

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Jon Sienkiewicz  |  Aug 01, 2009  | 

“Some OEM lens makers sell exactly the same item in the same configuration to more than one camera manufacturer.”...

Jon Sienkiewicz  |  Aug 01, 2010  | 

Back in the day when prime lenses ruled supreme and snooty purists decried zooms for lack of absolute sharpness, Tele-Converters (TCs) were popular accessories. Photographers wanted to bring distant subjects closer, and TCs provided a means to that end. Also known as tele-extenders, these thick slabs of metal and glass increase the focal length of a given lens while also decreasing the f/stop.

Ron Leach  |  Jun 20, 2024  | 

Here's an interesting discussion  to help you differentiate between what you want and what you really need when it comes to purchasing a new camera—specifically with regard to camera sensor size. Full-frame models are all the rage, but some photographers regret their decision to "step up" from a full-frame camera.

Shutterbug Staff  |  Sep 13, 2016  | 

Photokina, the world’s largest imaging show, will open its doors in Cologne, Germany in a week and an array of new cameras, lenses, and assorted photo accessories are set to make their debuts at this massive event.

Shutterbug Staff  |  Oct 22, 2018  | 

Here’s a fun game from photographer and popular YouTube personality Peter McKinnon. Can you tell the difference between images shot with a $400 camera vs. those shot with a $4000 camera?

Dan Havlik  |  Apr 26, 2019  | 

When shooting street photography, you're supposed to be quiet, unobtrusive and discreet, right? So, naturally, you should use compact fast prime lenses that don't attract much attention. But what if you wanted to use a long zoom lens, such as a 70-200mm? Impossible?

Shutterbug Staff  |  Jul 11, 2019  | 

Should you get an F/1.4 lens or save a little money and settle for the F/1.8 model? That's the question that photographer Pierre T. Lambert tries to settle in the below video where he tests to see if you can actually tell the difference between an image shot at F/1.4 vs F/1.8.

Henry Anderson  |  Jun 01, 2021  | 

Camera lens shootouts are always fun especially when comparing a popular focal length and aperture. It's even more fun when they're led by swimsuit photographer Anita Sadowska and she's photographing a beautiful model on the beach.

Stan Trzoniec  |  Jun 06, 2012  |  First Published: May 01, 2012  | 

Out of all the telephoto focal lengths, the 400mm is my favorite, so I looked forward to Canon’s updated 400mm f/2.8L. At about $11,499 list price (slightly less on searched street prices) it’s for those who absolutely need a fast, fixed focal length lens in their still and/or video work, and that’s work that pays well.

Henry Anderson  |  Dec 17, 2019  | 

With more and more photographers considering switching from DSLRs to mirrorless cameras, one of the biggest factors in the decision-making process is lens choice. Are the new lenses designed for mirrorless cameras better than their DSLR-centric counterparts?

Shutterbug Staff  |  Feb 13, 2019  | 

Along with unveiling the new smaller and more affordable Canon RP mirrorless camera, Canon said today that it is developing six new RF lenses.

Shutterbug Staff  |  Feb 05, 2015  | 

Canon just debuted the new EF 11-24mm f/4L USM ultra wide-angle zoom lens designed to deliver high quality, minimally distorted images throughout the entire zoom range. Canon says the new lens features the widest angle of view (126º05’ diagonal) ever achieved for a rectilinear full-frame Digital SLR lens, along with a minimum focusing distance of 11 inches (at 24mm).

Shutterbug Staff  |  Sep 05, 2018  | 

Canon introduced two new super-telephoto lenses that the company says are some of the smallest and lightest on the market: the EF 400mm f/2.8L IS III USM and EF 600mm f/4L IS III USM.

Stan Trzoniec  |  Jun 03, 2016  | 

For Canon lens fans, the wait finally ended when the company took the wraps off the new EF 100-400mm f/4.5-5.6L IS II USM, a relatively compact super-telephoto zoom that has been hotly anticipated and frequently rumored about for years.

Joe Farace  |  Jun 19, 2018  | 

The classic definition of macro photography is that the image projected onto the digital sensor (or film plane) should be the same size as the subject. With a 1:1 ratio, a DSLR with a full-frame chip should be able to produce life-size magnification and focus on an area as small as 24x36mm.

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