Lens News

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Jon Sienkiewicz  |  Dec 13, 2024  | 

This isn't an ad. It's a how-to that gives you the ins and outs of using lens mount adapters to inexpensively engage some of the best glass ever made—easily and cheaply.

We're amazed that not everyone knows this. Nikon Z owners can adapt legacy Nikon F-mount optics—made by Nikon, and state-of-the-art when they were originally introduced—that work in Manual Focus Mode and Aperture Priority or Manual Exposure Mode—and they're a genuine steal compared to the price of modern optics. It's very easy and very affordable. A huge plus: while many don't realize it, the image quality is exceptional, even when compared to current lenses. Wait—there's more…

Ron Leach  |  Oct 01, 2020  | 

Back in January I reviewed Nikon's tiny Z50 mirrorless camera, an APS-C sensor format model targeted at budget-conscious photographers or those buying their first interchangeable lens digital camera. And it performed so well I was actually sad to return it. But Nikon has been busy, and within a week the new full-frame 24.3MP Nikon Z5 arrived on my doorstep to test out.

George Schaub  |  Dec 01, 2009  | 

We have seen new options from independent and camera maker manufacturers alike, each bringing the fun and creative options of these unique angles of view to ever more affordable price ranges.

George Schaub  |  Aug 01, 2010  | 

When you talk about lenses these days you always have to bring in the multiplication factor, especially when you have a lens that fits comfortably on both so-called full-frame and APS-C sensor cameras. To know what angles of view you will have available you have to know: (a) that the lens is made for full-sized sensors (or not) so will work with the multiplication factor on smaller sized sensors...

Stan Trzoniec  |  Aug 01, 2010  | 

Nikon’s entry into past universal 80-200mm f/2.8 lenses started back in 1978 with a manual focus, push-pull lens checking in at 4 lbs. Ten years later the autofocus model arrived sporting ED (Extra-low Dispersion) glass; ’92 marked the “D” package. In ’96 the AF-S version came along, followed by the new generation of front motor drive “G” models. Now we...

Dan Havlik  |  May 27, 2015  | 

I got a lot of feedback – mostly positive but with a few spirited rejoiners – to last month’s editorial “Smartphones (Still) Can’t Compete with Great Camera Gear,” that I feel I should “double down.” Again, this isn’t a knock against using smartphones for shooting images. As I mentioned last month, I do it all the time with some pretty decent results. And many serious photographers are constantly turning to that little phone in their pockets and have produced many spectacular photos.

Jon Sienkiewicz  |  Apr 04, 2019  | 

It’s Macro SmackDown! If the cost were the same, which Olympus macro lens would you buy for your Micro Four Thirds mirrorless camera, the 60mm f/2.8 or the 30mm f/3.5? We shot with both and came to a conclusion that might surprise you.

Shutterbug Staff  |  Feb 07, 2023  |  First Published: Feb 08, 2023  | 

Olympus just announced the M.Zuiko Digital ED 90mm f/3.5 Macro IS Pro for Micro Four Thirds systems. Shutterbug has obtained an early sample and is currently preparing a full review. In the meantime, here’s a rundown on this exciting new lens.

Shutterbug Staff  |  Feb 13, 2019  | 

Olympus announced the M.Zuiko Digital ED 12-200mm F3.5-6.3 (35mm equivalent 24-400mm) super telephoto zoom lens this morning. 

Shutterbug Staff  |  Jan 05, 2016  | 

Bird, wildlife and nature photographers may have found another tool to add to their arsenal. Olympus just announced the Olympus M.ZUIKO Digital ED 300mm f4.0 IS PRO lens for Micro Four Thirds mirrorless cameras at the CES 2016 show in Las Vegas today. This new 300mm is a compact super telephoto lens offering a high level of image quality in a splashproof and dustproof build.

Cynthia Boylan  |  May 12, 2015  | 

Olympus has introduced two new premium M.ZUIKO Digital PRO lenses: the M.ZUIKO Digital ED 7-14mm f2.8 PRO lens (an ultra-wide-angle zoom with a 35mm equivalent focal length of 14-28mm) and the M.ZUIKO Digital ED 8mm Fisheye PRO lens, (f/1.8 aperture, with a minimum working distance of just 2.5cm).

The M.ZUIKO Digital ED 7-14mm f2.8 PRO is ideal for wide-angle shooting in any weather condition. It includes weather sealing in 11 locations, enabling use in rain and snow or even on the beach—facing the hazards of ocean spray and dust. At just under 19 ounces, the M.ZUIKO Digital ED 7-14mm f2.8 PRO is about 45 percent lighter than similar lenses.

Ron Leach  |  Sep 19, 2016  | 

The big news from Olympus this morning was the introduction of their new flagship mirrorless camera, the OM-D EM-1 Mark II. But the company had more in store with the launch of the compact Pen E-PL8 mirrorless camera and three new lenses.

Dan Havlik  |  Sep 14, 2014  | 

Olympus took the wraps off a new version of its OM-D E-M1 mirrorless, compact system camera at photokina this morning and this Micro Four Thirds-based model now features a new silver look and is loaded with updated firmware designed to help studio photographers. Olympus also debuted the new M.ZUIKO DIGITAL ED 40-150mm f2.8 PRO lens at the show.

Jack Neubart  |  Aug 01, 2006  | 

When I first heard about a 35mm focal length macro lens my mouth began to water. The $229 price tag was an immediate inducement, as were the compactness and lightweight of this glass. What threw me, though, was the focal length. Because this was in the new Four Thirds System for an Olympus digital SLR (the EVOLT E-300 was used for this test), focal length doubled to 70mm. A 70mm...

Jason Schneider  |  Feb 28, 2019  | 

It’s now widely appreciated that many great old lenses of the analog era can capture images that have that elusive quality known as character. Writers of the early 20th    century tried to express these qualities by describing them as “rounded” “luminous” or “plastic” rendition, but later writers and scientists dismissed such terms as imprecise and speculative, turning to resolution and later MTF testing to quantify lens performance parameters.

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