Mirrorless Camera Reviews

Sort By: Post DateTitle Publish Date
Jon Sienkiewicz  |  Oct 06, 2016  | 

The monochrome mode on most digital cameras is a convenience that is best avoided. Conventional wisdom says that it’s far, far better to shoot Raw and convert to monochrome—or at least to start with a color JPEG. But Fujifilm suggests that their ACROS film simulation mode might even top the best Raw converters. Does it? 

Ron Leach  |  Sep 07, 2023  | 

There are numerous reasons for poorly exposed photos when shooting in the field under difficult lighting conditions, including harsh light, dark foregrounds, and bright washed-out skies to name a few. When you're faced with challenges like these, photos often  turn out to be a compete mess.

Dan Havlik  |  Dec 31, 2014  | 

Ahead of our upcoming full review of the new 28-megapixel Samsung NX1 mirrorless camera, which will appear in the March 2015 issue of Shutterbug, we had a chance to shoot some sample test images with the camera at the annual Christmas Spectacular show at Radio City Music Hall in New York City.

Jack Neubart  |  Apr 01, 2015  | 

If you’re going to test a new camera, I can think of few places better suited than the Big Island of Hawaii. And that’s precisely what I, and a number of my colleagues in the photo press, had a chance to do recently with the new 28-megapixel Samsung NX500 camera. We put Samsung’s newest mirrorless compact system camera (CSC) through its paces in diverse settings on the island, each designed to challenge the NX500 and ourselves.

Ron Leach  |  Aug 27, 2024  | 

One sure way to ruin an otherwise great shot is to miss focus entirely or focus on the wrong area within the frame. If you're struggling to achieve consistently sharp results, this quick tutorial is just what you need.

Ron Leach  |  Oct 11, 2024  | 

It's surprising how infrequently some photographer's clean the sensor in their cameras, all the while aiming for the best image quality possible. Dirty sensors cause a variety of problems, not the least of which are ugly dusts spots and other artifacts on every image you shoot.

George Schaub  |  Jul 14, 2017  | 

While it might seem unusual that a camera can be both mirrorless and have a medium format size sensor, that’s exactly what Fujifilm has created with their new GFX 50S. The 51.4MP CMOS sensor size is 43.8x32.9mm, 1.7x the size of the sensor in a full-frame DSLR; the body is decidedly mirrorless, lacking a pentaprism finder and replacing it with an EVF and a tiltable rear LCD. 

Edited by George Schaub  |  Sep 02, 2014  | 

The Fujifilm X-A1 is the “little sister” of the X-M1. Both cameras have nearly the same design and technical features but use different sensor technology. The X-M1 uses Fujifilm’s X-Trans CMOS sensor while the X-A1 is equipped with a 16MP sensor with the Bayer RGB pattern, although it should be mentioned it is APS-C size. The different sensors are the main reason for the lower price of the X-A1, making it one of the least expensive X-type cameras with a detachable lens system.

Edited by George Schaub  |  Apr 24, 2015  | 

The Fujifilm X-A2 mirrorless compact system camera, the successor to the X-A1, uses a standard APS-C sized image sensor rather than the X-Trans CMOS II sensor found in other Fujifilm cameras like the X-T1 and X-E1. Nevertheless, the new Fuji X-A2 gets the most out of this sensor technology and showed a very good performance in our tests.

Edited by George Schaub  |  Feb 24, 2017  | 

The retro-styled Fujifilm X-A3 is the latest in the company’s X-A Series mirrorless cameras. The Fuji X-A3 is a more affordable option for those interested in a mirrorless interchangeable lens system camera that also includes some features found in the company’s premium product lines.

Edited by George Schaub  |  Aug 20, 2013  |  First Published: Jul 01, 2013  | 

The X-E1 is the second mirrorless system camera made by Fujifilm. In contrast to the X-Pro1, it has an electronic viewfinder with ultrahigh resolution (2.3 million RGB dots) instead of the X-Pro1’s hybrid viewfinder (combination of optical viewfinder and electronic viewfinder).

Edited by George Schaub  |  Jul 15, 2014  |  First Published: Jun 01, 2014  | 

The Fujifilm X-E2 is a compact system camera with a “retro” design that offers 16MP resolution. Compared to its forerunner, the X-E1, changes include an electronic viewfinder with extremely high resolution. The small OLED display of the X-E2 has 2.36 million RGB dots and shows a brilliant, very crisp reproduction of the viewfinder image, images in review mode, and menus. The combination of the high-resolution monitor, the electronic magnifier (“viewfinder loupe”), and the focus peaking function are very helpful when working in manual focus mode.

George Schaub  |  Apr 24, 2018  | 

I was heartened to see the new Fujifilm X-E3 being promoted by the company as being “built from the essence of minimalism.” In art and design, minimalism is paring down to bare essentials, a kind of “less is more and more is less” approach. In a modern digital camera it should mean a design and layout that might well appeal to those who, in ye olde film days, chose a manual interchangeable lens rangefinder over a multifunctional SLR.

Jon Sienkiewicz  |  Apr 16, 2021  | 

The long-awaited Fujifilm X-E4 was just released and we landed one for a two-week test. Did we like it? Can frogs swim without water wings?

George Schaub  |  May 30, 2018  | 

Aimed at advanced and enthusiast photographers, the Fujifilm X-H1 ($1899, body only) has a 24MP APS-C  sensor with 5-axis (5.5EV) image stabilization. We take a closer look at this mirrorless camera in this review.

Pages

X