Mirrorless Camera Reviews

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Shutterbug Staff  |  Aug 06, 2018  | 

Here it is, folks: the ultimate full frame camera shootout many photographers have been waiting for. Tony & Chelsea Northrup put the 45MP Nikon D850 DSLR against the 42MP Sony A7R III mirrorless camera in the below comparison video.

Ron Leach  |  Jan 18, 2021  | 

It was a pleasure shooting with the original Nikon Z6 mirrorless camera when I reviewed this affordable model just about two years ago, so it was a pleasant surprise when the new upgraded Nikon Z 6II arrived at my door. The original Z6 scored high marks for it’s compact size, rugged build, pleasing image quality, and versatility—especially for the uncommon price of $1,995 for a full-frame camera.

Ron Leach  |  Oct 01, 2020  | 

Back in January I reviewed Nikon's tiny Z50 mirrorless camera, an APS-C sensor format model targeted at budget-conscious photographers or those buying their first interchangeable lens digital camera. And it performed so well I was actually sad to return it. But Nikon has been busy, and within a week the new full-frame 24.3MP Nikon Z5 arrived on my doorstep to test out.

Ron Leach  |  Jan 03, 2020  | 

Nikon, long favored by pros and advanced amateurs for cameras with state-of-the-art capabilities, has recently targeted budget-conscious photographers with mirrorless models offering an uncommon combination of value and price. A year ago, I reviewed the Nikon Z6, a nimble, full-frame mirrorless camera at a price of $1,995 for the body. While that camera was considerably less expensive than more advanced Nikon models, it’s more than twice the cost of the new Nikon Z50 that we’ll look at today.

Ron Leach  |  Dec 06, 2018  | 

When Nikon announced the first two models in their new Z Series of full-frame mirrorless cameras, they provided an intriguing choice for both advanced amateurs and pros. The Nikon Z7 features a 45.7MP sensor for those photographers who desire maximum resolution, while the new Z6 is a more nimble, 24.5MP model that Nikon describes as the perfect “all-rounder.”

Dan Havlik  |  Feb 27, 2019  | 

The Nikon Z7 is, perhaps, the most well-designed full frame mirrorless camera on the market right now. It took me a little while to realize this.

Henry Anderson  |  Apr 26, 2022  | 

Photo manufacturers released some amazing new flagship cameras last year: the Nikon Z9, Sony A1 and Canon EOS R3. All three models feature top-of-the-line technology designed for serious photographers, which begs the question: which camera is best?

George Schaub  |  Oct 18, 2011  | 

The Olympus E-P3 is the follower of the E-P2 and E-P1, the first Olympus Micro Four Thirds cameras that were offered as “retro style cameras”. The E-P3 offers the same image sensor as the E-P2, with a nominal resolution of 12MP, but the E-P3 uses a newly developed image processor unit called “TruePic VI” plus offers some enhancements in the AF-speed. The automatic focusing system is really fast and showed a very good performance during our tests. In addition it has some special modes like “AF tracking mode”, which will help both photographers and videographers.

Edited by George Schaub  |  Mar 07, 2014  |  First Published: Jan 01, 2014  | 

The Olympus E-P5 has a classic viewfinder camera design but doesn’t have an optical or electronic viewfinder. It does have a swivel monitor which can be folded up- and downward and offers very high resolution (1,037,000 RGB dots). Its 3:2 aspect ratio shows additional information on both sides of the viewfinder image, which has an aspect ratio of 4:3 when taking images in the highest image resolution setting. By pressing the “OK” button in the center of the control field additional parameters are shown as overlays on the right-hand side of the live view image.

George Schaub  |  May 03, 2012  |  First Published: Mar 01, 2012  | 

The compact Olympus E-PL3 has a retro body design and is available in different colors. The camera has a large swivel LCD on the back which allows the user to flip the monitor up and down. This is handy but is not as flexible as a swivel monitor that allows side-to-side movement. The LCD screen is a standard TFT screen instead of the OLED system used by the Olympus E-P3.

Dan Havlik  |  Feb 04, 2015  | 

Olympus unveiled its latest, high-end mirrorless camera this morning: the tough, small and powerful OM-D E-M5 Mark II. The E-M5 II uses a Micro Four Thirds sensor similar to the one in the previous model – it once again offers 16 megapixels of resolution – but Olympus says the Live-MOS chip has been redesigned.

Josh Miller  |  May 09, 2017  | 

I recently had the chance to take the new Olympus OM-D E-M1 Mark II along with my regular full-frame Nikon system to Alaska and the Yukon on an outdoor shoot. Rather than test charts and pixel peeping, I focused on the real-world usability of Olympus’ new flagship mirrorless camera and its ability to get the job done as compared with a large and heavy DSLR system. 

Edited by George Schaub  |  Apr 21, 2014  |  First Published: Mar 01, 2014  | 

The new Olympus OM-D E-M1 is the follower of the first OM-D, the proper and full name having been the “OM-D E-M5.” The E-M1 incorporates many of the E-M5 advantages, the famous five-axis image stabilizer being one of them. This image stabilizer is based on sensor-shift technology and allows the user to shoot a stabilized image with every lens system mounted to the camera.

Edited by George Schaub  |  Oct 13, 2015  | 

The OM-D E-M10 Mark II (E-M10 II in the following text) is the second generation of the Olympus entry level E-M system line. The first E-M10, introduced in January 2014, was a very small and compact camera with SLR design elements. The E-M10 II has a very similar look with even more “retro style” elements. The on/off switch, for example, looks like the same switch on the analog Olympus OM-1 from the 1970s.

George Schaub  |  Mar 15, 2018  | 

The Olympus OM-D E-M10 Mark III is the latest iteration of a long and storied lineage that began in the early 1970s with the introduction of the then-revolutionary OM-1 35mm SLR film camera. As is with the new digital Mark III, the analogue OM-1 was a lightweight and portable camera that posed a viable alternative to the comparatively bulky SLRs of the day.

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