Photoshop How To

Ask a bunch of experienced Lightroom users to name their most essential editing technique and most will respond with one word: "Masking." This is particularly true among landscape shooters who frequently encounter scenes with a wide range of tones that exceed the density range of their camera.

A few days ago we posted a tutorial for making simple cutouts of hair in portrait photos using a “futuristic” Photoshop tool. Today we’re taking things a bit further, with two tricks for making more difficult clip outs in Photoshop.

Expansive vistas often include a variety of tonal values that can make it difficult to nail exposure and get colors correct in the camera. This tutorial from the popular PHLOG Photography You Tube channel illustrates how to use Target Adjustments to achieve proper balance throughout the frame without merging multiple shots and time-consuming image-stacking techniques.

There are numerous reasons why landscape photos of a pretty scene just don't make the grade. Perhaps you used the wrong camera settings, or poor weather blew in before you got the shot and the light became flat, dark and gloomy.

One way to add impact to wildlife and nature photographs it to convey a sense of motion in the scene. In the video below you’ll learn how to accomplish that task with an easy Photoshop image-stacking technique.

Photographing tall buildings is often a difficult task that results in a skewed perspective with structures appearing to fall away and vertical lines converging. That’s because we often have to use wide-angle lenses and point the camera upward to capture the entire scene.

We often discuss how to fix distracting backgrounds in outdoor scenes, and one way to do that is by using small apertures to minimize depth of field. Another approach involves blurring the background in post processing. But if you’re looking for a more creative approach, read on.