Nature Photography How To

Many landscape photographers never leave home without a polarizing filter, and consider this simple accessory almost mandatory for everything they do. But as you see in the eye-opening tutorial below, one pro says polarizers may detract from an image in certain situations—depending on the specific scene at hand and the mood you want to create.

Photographers often turn to Lightroom's HSL sliders as the first step in editing landscape and nature photos. But what do you do when this technique falls short? As you'll see in the tutorial below, there's often a better solution that's very easy to accomplish.

Before I answer the question above, a few words about the kinds of pictures I like to take. Simply, they are pictures that are different—different from what others might be shooting at a particular location, even different from what I might have shot at that location the last time I visited.

If you’ve been around the block more than once you’re no doubt familiar with many of the “rules” of composition. Budding outdoor photographers are told to use the Rule of Thirds, always include the foreground to create a sense of depth, and never position a subject in the middle of the frame or bisect a shot with the horizon.

Most photographers are familiar with the Rule of Thirds, a popular compositional aid that helps determine where to position the key element of a photo within the frame. But as we all know, rules are meant to be broken, and when it comes to composition there are often better options for composing a shot.

Most experienced photographers turn up their noses at the Program exposure mode, preferring to shoot in Aperture Priority, Shutter Priority, or Manual. But as you'll see in this quick video from the Great Big Photography World channel, there are situations under which this "beginner" mode makes total sense—even if you have advanced skills.