Photo How To

Have you ever seen an amazing image and wondered: how did they do that? Well, that happened to photographer Pierre T. Lambert when he was exposed (pun intended) to those trippy, long exposure motion images that make moving objects look like fantastical vortexes.

Yesterday we brought you an eye-opening tutorial from a professional wildlife photographer who insists that a camera's histogram may not be telling you the truth, and thereby compromising the quality of images you shoot. Unfortunately, there's another harmful camera untruth, as you'll see in today's video from the f/64 Academy YouTube channel.

Most accomplished photographers pay close attention to their camera's histogram when shooting in the field because this simple graphic can be extremely helpful for balancing all the tones throughout a scene. But one respected pro insists that in certain situations, "the histogram may be lying to you and I'll show you why."

Today's quick tutorial from instructor Mark Dumbleton begins with an important question: "Are you unknowingly sabotaging your chances of eliminating noise at extremely high ISO settings? Because there's a good chance that you are." If so, that's about to change once you watch the quick video below.

The Color Wheel is a simple but oft-ignored tool that that enables photographers to visualize the interplay between various tones and how be they can be combined to increase the impact of an image. If you don't understand this important concept and how it works, today's video will get you up to speed.

Zev Hoover is an 18-year-old photographer based in Massachusetts with more ingenuity than money. So when he became fascinated by the quality inherent to large format still photography, and wondered about the possibility of shooting stills and video with an 8X10 relic, he had only one option: Build it himself.