News

Sigma Corporation of America has announced that its updated 18-200mm F3.5-6.3 II DC OS HSM is now available in Canon and Nikon mounts for the MSRP of $720.

Sigma’s 18-200mm F3.5-6.3 II DC OS HSM is the successor to the Sigma 18-200mm F3.5-6.3 DC OS , which was launched in 2007. The lens has been updated to include the company’s new “F” Low Dispersion (FLD) glass elements, which perform like fluorite glass and significantly improve lens performance. The FLD glass now complements the lens’ other, Special Low Dispersion (SLD) glass elements and aspherical lenses, which already provide excellent correction of color aberration.

Ideal for beginner and professional photographers alike, this 11.1x high-zoom ratio lens is designed exclusively for digital SLR cameras and incorporates Sigma’s Optical Stabilization (OS) system, which allows for high-performance, handheld, close-up photography.

The enhanced multipurpose zoom lens offers photographers the opportunity to capture wide-angle shots such as scenic, landscape and group photos, and, at the long end, is well-suited for candid portraits and sports action photography. With a compact body and length of just 3.5 inches, the lens is lightweight and easy to handle for photographers who are on the move.

If you’re a regular visitor to our website you know that many of the tutorials we post are designed to improve your skills and help you “shoot like a pro.” And sometimes that means upgrading to a camera with pro-level features.

One of my favorite camera straps and a brand that’s widely used by professionals is going away. I’m sad to confirm the rumors that UPstrap production is ending soon, likely by the end of this year. The message today is simple and clear: if you want to buy one of the professional camera straps that I think are the best on this planet, order one now.

You say your older computer has only USB-A ports and the new external hard drive you’re eyeing comes with a USB-C cable? Do you keep searching for a drive that’s advertised as USB-A or what? It’s as confusing as 12^th grade calculus.

Photoshop recently added a Sky Replacement Tool for processing images with boring skies. If you’re one of those photographers who rebel against such drastic measures, this tutorial is for you.

It seems like every time we post a tutorial about the use of external flash we receive a bunch of comments from photographers who insist on shooting with available light—despite the fact that this approach doesn't always deliver the best possible results in certain situations.

If you’ve yet to explore Adobe's amazing color grading presets you're missing out on a quick-and-powerful method for enhancing images to perfection. The quick video below from photographer Aaron Nace explains how to add these "essential" tools to your everyday workflow.