I don’t know if you have noticed on TV, but ads for some new flat screen TV’s are now touting mind boggling figures for contrast-ratio of a million to one. Can anyone see a million to one? Or does it matter in the definition of a talking head’s picture on screen to what the pundit is saying about his crystal ball into the future of Barack Obama’s governance after January 20? Technical specification have been a boon to imaginative marketing mavens ever since cars were described as having horsepower, and the race goes on for who can concoct the most outlandish claims.
The Calumet Imagemaker DVD Series adds two powerful titles to its collection of instructional and educational videos, The Power of Light: Studio & Location Lighting with Tony Corbell, and Black & White Film Photography: Fred Picker’s Classic Trilogy.
When I began this blog the last thing I had in mind was commenting on other blogs, but in ZDnet.com’s Mary-Jo Foley blog, her plea to Microsoft programmers to NOT make the next Windows too Mac-like, had me laughing and fuming at the same time. (http://blogs.zdnet.com/microsoft/?p=1747&tag=nl.e539) Especially today after reading in the New York Times David Pogue page with a section on Maintaining The Mac, (http://www.nytimes.com/2008/12/04/technology/personaltech/04askk-002.htm...) which amounted to almost nothing unless one is paranoid by disposition. I switched from Windows to Apple Mac almost a decade ago and have had virtually no maintenance that needed to be done in that period of intense computer work, compared to it being an almost constant chore before with Windows. But what really got me was what Mary-Jo put in her wish list “fewer UAC prompts, simpler backup and restore, better peripheral handling” which are all current included features of the Apple OS!
This last month my e-mail in-box has been rather full of messages in response to my article about Print matching on page 68 of the December issue of Shutterbug. The article seemed to hit a raw nerve, and my curiosity as to how extensive the problem is, was more than satisfied when I ran a Google search on “Prints Too Dark”, which elicited 1,930,000 results.
A short time ago I was shooting with a Tamron 18-270mm zoom lens on a Canon EOS 40D and discovered something very surprising. When I reviewed the images of some leaves that were backlit against a bright sky I didn’t see any DPF. You know what DPF is, of course: Dreaded Purple Fringe. It usually inhabits the contrasty edges that separate highlight and shadow areas in some digital images. I’d upload an example, but I know you have plenty of your own.
Nikon Inc. has announced the D3X, an FX-format digital SLR featuring extreme 24.5-megapixel resolution and superb low-noise capabilities, which provides professional photographers with commercial-quality image performance in a familiar and extraordinarily versatile D-SLR form factor. In conjunction with the groundbreaking Nikon FX-format D3, the D3X tops off a collection of flagship level, rugged, professional caliber digital single lens reflex cameras engineered to excel in all types of professional photographic disciplines from photojournalism and sideline sports, to commercial in-studio applications.
The first rental website for Scenic Backgrounds by Westcott will be available online October 31, 2008. With over 100 backgrounds to choose from, these backgrounds will appeal to everyone including the high end professional, photo enthusiast and even the parent or scrapbook mom. The rental program will allow photographers creativitywithout the expense of investing in a lifetime commitment to a background. Rentals will list at $49.99 for a 5’X6’ and $69.99 for the 6’X8’ line. Customers can save $20.00 with a coupon from their local participating dealer and the postage-paid packaging is provided to return it.
I would guess the casual consumer when confronted with images displayed on computer screens probably assumes there is some color standard involved that regulates what red, blue or yellow should look like that governs the manufacture of these displays. But that is an incorrect assumption as all color reproduction devices are what the industry calls “device independent”. In other words it is a “free market” and a maker of display screens, as well as printers and scanners, in fact any device that reproduces color information, is not held to any standard in terms of the observed color reproduced as the result to the specific RGB computer data sent to or received from the device.
Google “photographer” and you get, as of this writing, about 140 million (!) possible URLs; do the same for “photographer web pages” and you get over 25 million! The motivation for creating a web page with your photographs is legion: it can be used to display your work to a worldwide audience; showcase work to potential clients; license images for sale in publications and...
“A Dream is where a boy can swim in the deepest oceans and fly over the highest clouds.”—Joanne K. Rowling
From time to time I like to use this space to introduce you to computing trends that affect digital imaging. This month Web Profiles is brought to you from the clouds. Cloud computing refers to computing resources that are accessed and usually owned and operated by...