LATEST ADDITIONS

Frances E. Schultz  |  Feb 01, 2003

Still Using A Lab For B&W Prints

In the years BC (Before Color), black and white labs for amateurs were taken for granted. After that...

Rosalind Smith  |  Feb 01, 2003

Resonant Images

It is a spiritually rewarding experience to stand before the black and white photographs of David Fokos. The mood created by the large areas of rich blacks is haunting while the isolation of objects conjures...

The Editors  |  Feb 01, 2003

Playing With Perspective

We judge near and far, big and small by our innate sense of perspective. A sort of visual grammar, it orders the world around and ensures that we can get where we're going and that when we reach out to touch...

Jack Hollingsworth  |  Feb 01, 2003

Passport

I'm not going to tell you that resort photography isn't work--it is; but I'm not going to tell you that it's all work. I like to go early, stay later and bring the family. By going early I get...

Monte Zucker  |  Feb 01, 2003

Master Class

But when a photograph is limited to black and white and tones of gray, one has to really know the ropes before he can tie...
Ben Clay/Web Photo School  |  Feb 01, 2003

Lesson Of The Month

Recently, my wife and I undertook a long day hike through an old growth forest trail in Oregon, where we came across...

Steve Bedell  |  Feb 01, 2003

Jack Holowitz

Jack Holowitz is the male half of the incredibly talented team of Jack and Nancy Holowitz from Springfield, Massachusetts. Nancy is known for her sensitive portraiture, and Jack has gained a great reputation for his eye-popping black and white work that includes nudes and...

David B. Brooks  |  Feb 01, 2003

Is Your Computer Set Up For Digital Photography?

If "Steven" finally got to you and you have a new computer, is it ready for use as a digital darkroom? With rare exception the answer to that question is a resounding no. The reason...

George Schaub  |  Feb 01, 2003

HiTi 630PS Printer

There are differing opinions on dye diffusion thermal transfer (or dye thermal, for short) printing. Some folks prefer the smooth, even look of thermal, claiming that it offers more of a true photographic quality of continuous tone. Others cede that point somewhat but...

Roger W. Hicks & Frances E. Schultz  |  Feb 01, 2003

Why do we need different contrast grades?
Because we don't all make perfect negatives. Paper grades allow us to compensate for negatives that are a bit too contrasty, or somewhat...

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