Portraiture

Sort By:  Post Date TitlePublish Date
Steve Bedell  |  Sep 01, 2007  | 

I had a thought (it happens!) back in the `80s. I was thinking how great it would be to create a portrait piece of someone that combined several images together to show the many facets of that individual. Let's take an example. Suppose you were commissioned to do a portrait of a young man. His interests may include playing football, swimming, sailing, playing guitar...

Scott Stulberg  |  Aug 01, 2007  | 

The right equipment, being creative, interacting well with your subjects, and of course being in the right place at the right time can all add up to some stunning imagery. An important part of that gear is the lenses you choose to bring along. Because varying angles and focal lengths portray the face in radically different ways, I always travel equipped with a wide variety to...

Steve Bedell  |  Oct 01, 2006  | 

For years photographers have extolled the virtues of taking portraits on overcast days or during the "sweet light" that occurs near the beginning and end of every day. On cloudy days, the contrast range is reduced, allowing you to capture detail throughout the image, from the brightest area to the deepest shadow. Near sunset, you also get a reduced contrast range, with...

Steve Bedell  |  Aug 01, 2006  | 

Given the current state of technology, a case could be made that a photographer could exist today with only two lenses--a wide angle to moderate zoom, and a short tele to long tele-zoom. That would be a mistake. For as good and flexible as today's zoom lenses are, there are some compelling reasons to choose fixed focal length lenses on occasion. I'll admit, 90 percent...

Monte Zucker  |  Jul 01, 2006  | 

The Society of Wedding and Portrait Photographers (SWPP) invited me to come to England and Ireland to do a series of lectures and classes. The SWPP is fast becoming one of the world's leading groups dedicated to advancing the professionalism of portrait and wedding photographers throughout Europe. Not only were the photographers receptive to my instruction, but they were...

Monte Zucker  |  Feb 01, 2006  | 

There's something about a good black and white image that makes it jump off the page. It should be simple, direct, and hit you right between the eyes. It stands on its own. It doesn't even need color to make it stand out. It has a full range of tones from a true, deep black all the way to a clear white...with detail throughout.

What kind of...

Monte Zucker  |  Jan 01, 2006  | 

Paul Aresu
I had worked before with some of the other Explorers. I had even employed and trained one of them. But I had never before experienced the likes of Paul Aresu, a New York-based commercial photographer. His clients are like a who's who of dream customers. Aresu is a freestyler. He shoots just like all the commercial photographers you see in...

Maria Piscopo  |  Jan 01, 2006  | 

Judy Host (www.judyhost.com) only started her business 12 years ago but today you can find her working either in the home of a celebrity creating her award-winning portraits or in Africa documenting conditions in Rwanda and Uganda. By the time you read this, she may be in Ghana and Kenya or traveling to Cape Town, South Africa.

Rosalind Smith  |  Jan 01, 2006  | 

Alex Webb's world is a vision of color. Each place he visits offers a new and expressive luminance. His joy in color is apparent as he speaks about Latin America, the Caribbean, the particular color note to the brown of Africa in the early morning and late afternoon light and the red tones where the aluminum in the soil brings forth the warm hues of the earth.

...

Steve Bedell  |  May 01, 2005  | 

Photos © 2004, Steve Bedell, All Rights Reserved

I love shooting outdoor portraits! As a matter of fact, it has become my "signature style." During my busy season, I may take over 400 outdoor exposures in a single day, so I'd better be able to do it well and do it fast. An element of my style is that I don't use flash. Many photographers do, and...

Steve Anchell  |  Apr 01, 2005  | 

Photos © 2004, Steve Anchell, All Rights Reserved

Well, I don't know if I should really call this a self-assignment, as it came my way when I was called upon to supply a chapter for a book. The only problem with the assignment was that I only had 30 days to complete it, including illustrations. Even though I have done just about everything in photography from...

Steve Bedell  |  Apr 01, 2005  | 

I take portraits of people every day. They pay me (hopefully) to create an image that says something about them. Perhaps it's a family who loves the ocean; we'll take a beach portrait. Maybe it's a mom who wants me to closely match a portrait done of her when she was 2. Or it could be a high school senior who wants to show how he's making the transition...

Monte Zucker  |  Apr 01, 2005  | 

Photos © 2004, Monte Zucker, All Rights Reserved

My philosophy in my work: I don't photograph the world as it is; I photograph it as I want it to be. So, yes, I'm an incurable romantic. I confess.

Some of the portraits here were created digitally within the last year or two; some were created in the "olden" days before digital (25-30...

Woody Walters  |  Apr 01, 2005  | 

All Photos © 2004, Woody Walters, All Rights Reserved

Ansel Adams once told me that it is the background that makes or breaks the image. The background is what will tie all the key elements of a photograph together. I learned very early in my career that it's true whether you're shooting large format landscapes or even if you're shooting digital senior...

Steve Bedell  |  Mar 01, 2005  | 

Photo © 2004, Steve Bedell, All Rights Reserved

The Doucet Family
This photo of the David Doucet family is a good example of why I prefer digital capture and retouching for my group images. The boy only stayed in this position for a few images, then we had to sit him on mom. I liked this composition much better so this is the "base"...

Pages

X