Staff

Staff  |  Jun 14, 2011  |  First Published: May 01, 2011

This month’s Picture This! assignment was Painterly Backgrounds, the use of various photographic devices—namely depth of field—to create a field of color and design for a backdrop to the main theme. The technique not only removes what could be a distracting background but also brings the main subject more into the visual attention of the viewer. It also can be used to complement the color, shape, and design of the entire frame, adding to the emotional content of the image. Readers sometimes used their digital darkroom skills to enhance some of the effects (noted in captions), but, as with other assignments, we view image processing as something that can be used to emphasize the image from the camera, not obtain it entirely from software techniques.

Staff  |  Jun 08, 2011  |  First Published: May 01, 2011
Follow That Elephant
While on a safari in the Serengeti of Tanzania we were tracking a family of cheetahs when we crossed a dry lakebed with these incredibly large and deepened footprints of an elephant. The asymmetrical pattern that emanated from the portion of a dried piece of driftwood almost looked as though it had been arranged for the shot in the middle of nowhere. Although we never did catch up with that elephant, the recorded scene of what I didn’t see left an indelible impression with me that transcends pretty much many of the animals I did see and document.
—Marvin Seiger
Scottsdale, AZ
Staff  |  Oct 01, 2010

My wife and I were visiting Hwange National Park in Zimbabwe. The sun had just dropped below the horizon and we were preparing to return to Little Makalolo, our base camp, when I heard “thrashing” sounds that were unmistakably those of an elephant herd.

We could barely make out the silhouetted movements of the herd on the far side of the river. I knew not to use a...

Staff  |  Oct 01, 2010

Most every camera sold has a built-in flash but many times we don’t make use of this handy item, keeping the flash on Auto (which with Auto ISO these days might just boost the speed rather than activate the flash) or turning it off for fear that it might ruin the natural light component of our images. The Picture This! assignment this month was using a touch of fill flash to add something...

Staff  |  Mar 01, 2010

I shot this image casually, as a friend and I relaxed in a nearly empty waterfront café after a shoot. I can’t tell you why I shot it, but I can tell you why it gradually has become a sort of personal favorite. Although it contains nothing dramatic, it says something very basic about photography.

We don’t know whose sunglasses these are, how they came to be...

Staff  |  Mar 01, 2010

Our Picture This! assignment this month asked readers to submit images made of objects that most likely would not be around next time they passed by. Readers sent in images of falling-down barns, commercial signs, and trucks quietly rusting away in fields. To paraphrase Walker Evans, photographers should shoot with history in mind, and with many of these objects the only evidence of their...

Staff  |  Feb 01, 2010

The Road to Freedom: Photographs of the Civil Rights Movement, 1956-1968 features 150 vintage photographs that portray the struggles and aspirations of that historic time.

Staff  |  Feb 01, 2010

I made this image during a visit to Prague in 2007. On our first day there my wife and I took a walking tour that passed by this memorial to John Lennon. At the same time we arrived so did several large tour buses, which prevented us from getting a clear view of the memorial.

I like to explore and take pictures early in the morning on trips so that is what I did the following...

Staff  |  Feb 01, 2010

Our Picture This! assignment this month covered one of the metering patterns, spot metering. Spot is a great choice when you want to saturate a distinct color, or when you want to get the bright white highlight right, with compensation. Readers sent in a variety of images, some with color in mind, others when they wanted to open up shadow details that would become too dark using evaluative...

Staff  |  Jan 01, 2010

While on the freeway, I pass over this giant drainage system on the way to my studio each day. And each time, I catch a glimpse of this shopping cart way off in the back. I often wondered about the chances of it still being there in case I wanted to make a shot. Well, after about a week of seeing it every day, the shopping cart was still there. So, I waited until the sun was nice and low...

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