Jack Neubart

Jack Neubart  |  Aug 01, 2010

Tony Arrasmith is a master at creating composite images.

His attention to detail is what draws clients to his Cincinnati studio. A long-time ASMP member, he operates Arrasmith & Associates (www.tonyarrasmith.com) in partnership with Sarah O’Dell, who manages the studio and coordinates projects. The studio has...

Jack Neubart  |  Aug 01, 2010

The new Tamron SP AF17-50mm F/2.8 XR Di II VC LD Aspherical (IF) joins a growing community of wide-zoom lenses. In contrast to an earlier version of this lens, which is available in several mounts, this APS-C Tamron optic (designated Model B005/$649 street price) is only available in Nikon DX (with built-in motor) and Canon mounts. Given that I mated this lens to a Nikon D300, that effectively...

Jack Neubart  |  Aug 01, 2010

Fisheye optics are an unusual beast. The bulbous nature of the front element is one characteristic trademark, but the unique view this lens affords us is what makes it truly appealing—and at the same time challenging to work with.

My fisheye lenses have literally widened my view of the world around me and given me a new perspective on my photography. Admittedly, some...

Jack Neubart  |  Jul 01, 2010

Until now I thought I’d experienced practically every flavor of geotagging device on the planet (“Geotagging Devices And Software: Now You’ll Always Know Where You Took That Picture,” Shutterbug, May 2009). So when I was later introduced to Foolography at a trade exposition, I didn’t pay too much attention to their new Unleashed. Until they offered to send a test...

Jack Neubart  |  Jun 01, 2010

One moment you can find him photographing people diving off a boat in Bali, the next focusing on a businesswoman returning to a hotel restaurant in Bangkok to savor the haute cuisine, and then back in his studio capturing a telling portrait. That’s the life of an advertising photographer specializing in portraiture, lifestyle, and fashion, as David Allan Brandt knows it.

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Jack Neubart  |  Jun 01, 2010

While there are no revolutionary designs in tripods, monopods, and heads this year (unlike the introduction of the Novoflex four-legged tripod last year), manufacturers have not sat idly. They continue to address the needs of studio photographers but appear to be placing even greater emphasis on travel photography.

Notably, we’re beginning to see more subcompact tripods...

Jack Neubart  |  Jun 01, 2010

Just when I thought I’d seen it all, along come camera bags that capture my attention. Photo backpacks are sporting new looks that are designed to reduce back strain. Messenger bags are seeing a resurgence, doing double duty as laptop and camera bag, while maintaining their svelte lines. The more conventional shoulder bag, however, is still on the scene for those who prefer tradition while...

Jack Neubart  |  Jun 01, 2010

A good example of how digital picture frames have changed from passive displays with looping slide shows to interactive devices is the “concept” frame system from Casio, dubbed the Digital Art Frame. The frame supports playback of Adobe’s Flash Lite 3.1 content, with future plans for network downloads. Currently you have access to different types of clocks and calendars for...

Jack Neubart  |  Jun 01, 2010

This year saw few major product launches in studio lighting, although we did manage to uncover some interesting lights and accessories nonetheless.

Dot Line Corp./RPS Studio introduced the Complete 7-in-1 Reflector. This folding reflector comes with a translucent panel, white, silver, sunlight (a mix of gold and silver), and gold reflectors, plus an 18 percent gray target for...

Jack Neubart  |  Jun 01, 2010

This year we’ve seen many fine lenses come onto the scene, many with new optical elements designed to enhance performance while making the lens lighter and more affordable.

Nikon announced two new lenses aimed primarily at FX-format shooters (but usable with DX format). The AF-S Nikkor 24mm f/1.4G ED ($2199) is a fast lens well suited to low-light landscapes or expansive...

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