Jon Sienkiewicz

One of the most important parts of personalizing a camera bag or photo backpack is organizing the removable partitions so that the gear fits snugly and safely but is still easy to fetch. Sadly, that experience is often a freakish nightmare instead of being the OCD paradise it has the potential of being.

I don’t know much about fast cars except that nine times out of 10, the one in front of me on the NY State Thruway is not fast. However, I would like to share something about ISO and why making a reasoned choice of ISO setting is preferable to leaving the dial on Auto (or on 3200). 

What’s normal? Not asking about your weird uncle Walter who puts mayonnaise on his French fries—and his spaghetti. When photography went digital, understanding focal lengths became much more difficult. Let’s unravel a few of the mysteries so that we can make better educated decisions about lenses.

I get ’em. You probably get ’em too. Those feelings of photographic futility when the sky and the ground and your car and your imagination are all the same dim shade of dirty, dingy gray, and there’s really no point to stepping outside to take photographs. How do you beat the bad weather doldrums? Here are a few ideas.