Lighting News

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Jack Neubart  |  Nov 01, 2010  | 

I prefer to shoot macros and close-ups handheld, so, when I need to augment the existing light or replace it entirely, I look for a compact solution. And for me, that often means a ringlight. It’s a simple and undemanding yet effective tool. For my really tight close-ups at or near life-size, I set focus manually in advance so there’s no worry about the AF sensor trying to lock on...

C.A. Boylan  |  Nov 01, 2010  | 

In keeping with our lighting theme this month, our Roundup entries cover the lighting gear and accessories beat. Keep in mind that Roundup is not a test report per se, but a place where we get to provide information supplied by manufacturers on new products and services.—Editor

Flashpoint Monolights
The “M” series is the latest...

Robert E. Mayer  |  Jun 01, 2010  | 

This year we’re seeing a surprising number of new ringlights plus lots of accessory light modifiers, dedicated cords, flash brackets, and continuous LED lights which are helpful when making videos with multipurpose D-SLR cameras.

Aputure’s Trigmaster makes controlling a studio strobe or Speedlight wirelessly easier at distances of up to 300 feet with 16 different...

Jack Neubart  |  Jun 01, 2010  | 

This year saw few major product launches in studio lighting, although we did manage to uncover some interesting lights and accessories nonetheless.

Dot Line Corp./RPS Studio introduced the Complete 7-in-1 Reflector. This folding reflector comes with a translucent panel, white, silver, sunlight (a mix of gold and silver), and gold reflectors, plus an 18 percent gray target for...

C.A. Boylan  |  Apr 01, 2010  | 

The Orbis Ring Flash
Crafted from durable ABS plastic, the orbis ring flash is lightweight, portable, and compatible with most flash units. It easily transforms the harsh light of an SLR flash into shadowless light while producing the characteristic ring flash look. When used off-lens and to the side of your camera, the ring flash becomes a softbox or beauty dish. The...

C.A. Boylan  |  Feb 01, 2010  | 

The Spyder3Express From Datacolor
Datacolor has introduced the Spyder3Express monitor calibration system. This easy-to-use system is for both Mac and PC users and features unlimited license seats so you can calibrate every monitor in the house, regardless of the operating system. The suggested retail price is $89.

 

Contact: Datacolor, 5 Princess Rd., Lawrenceville...

Jack Neubart  |  Jan 01, 2010  | 

New fluorescent and LED “cool” lights are on the scene, making serious headway into the realm of digital photography. Cool lights not only save energy, but they may be better suited in a variety of situations.

Jack Neubart  |  Nov 01, 2009  | 

Wow! That’s all I need to say about the new Nissin Di866 shoe-mount flash. This baby has to be experienced to be believed. I was impressed with the other flash units Nissin first sent me, but this new flash sets new standards in technology and user-friendliness. For starters, the Di866 features wireless TTL that lets me take advantage of the latest camera/flash exposure advances. Second, it...

Joe Farace  |  Oct 01, 2009  | 

The Mini/Max family consists of two light banks that fit on the front of your shoe-mount flash.

Steve Bedell  |  Oct 01, 2009  | 

Like many photographers, I am always looking for lighting devices that will improve the way my subject looks and also be very easy to use.

Ron Eggers  |  Oct 01, 2009  | 

On-camera flash units have been around for some 50 years and now they’ve become much more sophisticated with the development of D-SLRs.

Jack Neubart  |  Oct 01, 2009  | 

Nikon’s Speedlight SB-900 takes over the reins from the SB-800 as the company’s flagship dedicated shoe-mount strobe.

Joe Farace  |  Oct 01, 2009  | 

Safari Luminations is a family of monolights and light-modification products aimed at the new shooter or someone getting started in studio photography.

Jack Neubart  |  Oct 01, 2009  | 

When you need the power and versatility of a studio strobe for location shooting and environmental portraiture but don’t want to schlep around a large, heavy studio system, you can turn to a portable lighting kit.

Steve Anchell  |  Oct 01, 2009  | 

When I was operating a commercial studio in Hollywood, California, my prized possession was a Swiss-made Broncolor 2400 ws power pack and three lamp heads.

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