Take a look at your computer's keyboard and what do you see? We're not referring to the dirt and grime that's long overdue for a cleaning, but rather to the modifier keys that can work wonders for quick and precise edits.
This is the time of year for personal reflection and gratitude, so we're bringing you the following tutorial that demonstrates why you should be grateful for High Dynamic Range (HDR) editing. While photographic tips don't compare to our feeling for friends and family, you'll definitely appreciate how HDR processing will have a big impact on the look of your photographs.http://www.shutterbug.com/content/these-careless-photo-editing-mistakes-will-ruin-outdoor-photos-do-instead-video
We all face a compromise when making multiple photos of the same scene. On the one hand, the more images you shoot the better the odds that you'll capture exactly what you want. The flip side of the coin is that the time you spend during the culling and editing process increases dramatically when you just lay on the shutter button and fire away.
Most of us strive to achieve sharp and precise focus in the camera when shooting in the field, yet every so often a bit of editing is required to rehabilitate soft areas within a shot. But here's the catch: sometimes the conventional approach can do more damage than good.
Yesterday we posted a very helpful tutorial describing five common shooting errors made by novice photographers and how to avoid them. Today's lesson from the Sightseeing Stan YouTube channel takes a similar approach with regard to post-processing mistakes that can easily ruin your images.
Yesterday we featured a straightforward guide to using Selective Exposure adjustments to get the light right in complicated images with a wide range of brightness levels throughout the frame. Today's tutorial from another image-editing expert demonstrates how to take a similar approach with Lightroom's powerful Selective Color tools.
Most beginning photographers are enthusiastic about their new creative pursuit, but sheer passion alone is not enough to get the job done. That's because practice, a firm understanding of the fundamentals, and appropriate gear are essential if one is to develop their skills.
If you're not a regular user of Photoshop's versatile Brush tool, this complete beginners guide from The PIXimperfect YouTube channel is guaranteed to change your mind. You'll learn how to master everything from fundamental properties and "essential" tricks, to time-saving shortcuts and much more.
We regularly preach the importance of taking a selective, rather than a global, approach to processing your images. This simply means limiting your adjustments to specific portions of a scene that really need work, instead of making enhancements to the image as a whole.
Every so often we come across a Lightroom tutorial that reveals a quick trick that you absolutely shouldn't miss. In this case it's what one expert calls a "secret Lightroom feature that that can really supercharge your workflow." Best yet, it takes less than two minutes to explain and can dramatically enhance just about any image you capture.
Earlier today we posted a tutorial with a foolproof in-camera method for shooting photos with perfect exposure. But what if you want to improve photos you shot in the past that don't quite hit the mark? The lesson below from the FJR YouTube channel demonstrates how easy this is to do with Lightroom's powerful Dodge and Burn tools.
Object removal is one of the staples of editing images for simplicity and maximum impact. Maybe you want to eliminate the proverbial fence post emanating from a subject's head, or get rid of other equally distracting elements that detract from a shot.
Cropping images to refine composition is a no brainer, right? Well not exactly, because Photoshop's easy-to-use Crop tool provides more creative capabilities than you likely realize. You probably use this tool almost every time you process an image, so it's important to understand everything it can do.
Lightroom's recently updated Tone Curve is a powerful component of what Adobe enables you to achieve when processing photos. Unfortunately, this versatile tool is frequently avoided because some users find it rather intimidating.
Too many photographers make the mistake of restricting their workflow by employing global adjustments to edit their photos. The problem is that these enhancements affect the image as a whole—thereby greatly limiting the results they achieve. That's because certain areas within the frame often require one approach while others call for totally different enhancements to create photos with balanced exposures and realistic colors.