Portrait Photography How To

One simple method of adding impact to portraits is to frame your subjects with natural or man-made objects. The “frame” you use can be something as simple as a window, doorway, arch, or the overhanging branches of a tree.

Indigenous peoples in remote parts of the word tend to be rather wary of outsiders—especially when they have a camera pointed in their face. But Turkish photographer Mehmet Genc uses a simple method to put his subjects at ease: He just tells them “You are so beautiful.”

Let’s just say that commercial photographer and “Best Dad Ever” Josh Rossi decided to make this Halloween a memorable one for his three-year-old daughter by giving her a hand-made Wonder Woman costume and making her the subject of an incredible photo shoot.

We often turn to Joe Edelman for easy-to-follow tutorials enabling readers to shoot like a pro without a lot of fancy gear. In the video below, you’ll learn how to create beautiful bikini glamour photos in less than five minutes.

If you’ve spent any time in New York City, or attended the city’s annual PhotoPlus Expo (coming up next week), there’s a good chance you’ve come across a dapper gentleman shooting instant photos with a 1940’s Speed Graphic camera. In the charming video below, you’ll get an inspirational look at Louis Mendes, one of our favorite photography icons.

The first time I met Craig La Mere was at an ice cream shop in Brunswick, Maine, at about 11 p.m. Really. It was the night before the Maine Professional Photographers Association conference was going to kick off. I was there as a print judge, La Mere as a speaker. I recognized him from his Moz (his studio name) logo hat, although he didn’t know who this stranger was who was accosting him.

Joe McNally learned the value of supplementing available light with flash early on in his career as a photojournalist. Currently a Nikon Ambassador who works mainly as a commercial/editorial portrait photographer, McNally has become a staunch advocate for the use of Nikon Speedlights on location, often using these small flashes off camera in multiple lighting setups. McNally even mixes his Speedlights with studio strobes on occasion when the situation warrants.