How often have you arrived at a favorite location for a day of landscape photography, only to confront a dull, uninspiring sky? If you’re like most of us, the answer is “more than once or twice.”
If you’re thinking about giving wildlife photography a try, our feathered friends provide a great place to start. You don’t have to travel to exotic locations, and all you really need is a telephoto lens, along with the beginner tips you’ll learn in the tutorial below.
Here is another helpful how-to designed to give landscape photos an uncommon look. Like others we’ve posted in the past, it will enable you to capture unique images and set you on the path toward creating a style all your own.
There are all kinds of excuses for unappealing landscape photos: The sun is too bright, weather is awful, no clouds in the sky, dull, drab light—just to name a few. But if you’re serious about photography, and know your way around Photoshop, it’s time to stop complaining and transform these duds into something really special.
The quick tutorial below from the Adorama TV YouTube channel is all about the basics of using ISO when selecting your camera settings, and when choosing the sensitivity setting should be the first thing you do. Then, depending upon light levels and the scene at hand, you can modify shutter speed and f/stop if need be.
This is the second day of the week, which means it time for another great episode of “Tutorial Tuesday” from the experts at Park Cameras—one of the leading photo retailers in the UK. Today’s topic is Photoshop’s powerful new Remove tool that you’ll learn how to use to clean up your work.
Some photographers think all that’s involved is a decision to frame a scene in either a vertical or horizontal orientation. But as you’ll see in the tutorial below, there’s much more that factors into the equation. One is creative cropping, and another is whether to modify the native aspect ratio of the camera you use—which varies from one model to another.
Just so you’re not confused, this is the second tutorial of the day from two German landscape pros with the same first name. This one is from Christian Mohrle of the PHLOG Photography YouTube channel—not Christian Irmler who is responsible for the earlier discussion on using different aspect ratios for more effective landscape photos.
Have you ever wondered how to shoot dynamic photos with soft silky water, cotton-like clouds moving across the sky, or light trails emanating from cars cruising down the road at night? If so, the comprehensive guide in the video below is all you need for getting the job done.
Most landscape photographers’ weapon of choice is a wide-angle lens—typically in the range of 24-35mm. But if you’re lucky enough to own an ultra-wide lens, and know how to use it properly, it’s possible to capture truly breathtaking photos of expansive vistas.
Those new to Photoshop are often overwhelmed by everything this feature-packed program can accomplish. The quick video below from the Adobe Photoshop YouTube channel is designed to shorten your learning curve in a big way.
Macro season is in full swing, with colorful flowers, interesting insects, and other creepy-crawlies just about everywhere you look, so if you still haven’t dusted off your trusty close-up lens, now is the time.
There’s one constant when shooting outdoor photographs: You’re always at the mercy of Mother Nature, and she’s anything but predictable. So you have two choices when weather is threatening or the light is less that ideal. You can either learn how to deal with it or go home.
The use of Selections in Photoshop is an oft-ignored technique because of a misconception by some photographers that it’s beyond their skill levels. Fortunately, the comprehensive guide below will allay your concerns, and get you up and running today.
One of the biggest challenges faced by landscape photographers is arriving at a proper exposure when shooting scenes with a wide-range of tones that exceed the dynamic range of their cameras. In such cases conventional camera-settings or editing methods may not be up to the task.