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We've partnered again with GuruShots for another awesome photo challenge. The theme this time around was "Amazing Architecture" where we asked you to submit your best photos of incredible buildings, houses, monuments, bridges, or structures of any kind that showcased their impressive architecture.

There are a ton of rules and conventional wisdom about photography, and some are very helpful to understand. But according to one respected expert, several of these notions are really toxic and can ruin our craft.

Need a portable drive for those massive files you’re making as a content creator? Or perhaps a reliable backup drive to sidestep disaster when your computer melts like a Marshmallow Peep in a 1500W microwave? Two or three big names dominate the external hard drive offerings at online retailers, and it’s tempting to just pick one with the size and price that appeals the most. Here’s a better plan: the Mercury Elite Pro Mini Portable Drive from OWC, a company that’s been providing computer gear for professionals for 33 years.

High-key photography is popular among portrait and wedding photographers and involves properly lighting a scene to achieve a bright, airy and unique look. While getting it right in the camera can be complicated, and may involve special lighting equipment, the effect is easy to mimic in Photoshop.

Here's a humorous, satirical, and surprisingly helpful tutorial that offers you bad photography advice…on purpose. In the video below, pro photographer Mark Denney flips his regular tips and tricks on their head to share the worst things you can do if you're shooting landscapes.

The first thing most photographers do after buying a new camera is to invest in a second battery, and the immediate quandary is whether to buy an expensive OEM product or purchase a bargain-priced battery that supposedly offers equal or better performance.

Creating composites in Photoshop where you clip a subject from one background and place it in another is not hard but it's challenging to do right. We don't know how many composites we've seen where the person or object that's been moved to a new background looks unrealistic because of a poor clipping job or an uneven blend.