Software How To

Most photographers understand why shooting in Raw provides maximum image detail and other key attributes that contribute to ultimate image quality. Another benefit of using this format is that it delivers far more control during the image-editing process.

A solid understanding of key camera settings is essential if you're serious about shooting impressive photographs instead of mere snapshots, and one of the most important considerations is whether to use the Raw file format or shoot Jpegs. As you'll see in the video below, the decision you make depends up a variety of factors—including the specific way you intend to use the images you make.

One foolproof method for transforming a dull landscape photo into an attention-grabbing winner is to embellish the shot with natural-looking light rays. This video from the PHLOG Photography YouTube channel demonstrates a very effective Lightroom process for getting the job done to perfection.

One way to improve the overall “feel” of landscape photographs is to adjust white balance to achieve either a subtle or more dramatic effect. You can often do that by selecting the appropriate camera settings, or in the case of this tutorial, by making a few adjustments when processing an image.

A telephone pole emanating from a subject’s head is the classic example of a distracting element ruining an otherwise fine photo. But there are numerous other examples, like a car driving down the street behind a person in your shot, or passersby in front of an architectural scene you’re photographing. 

Today's quick tutorial from the Focus Photo School provides a quick-and-easy Lightroom solution to a common dilemma faced by street shooters and other photographers devoted to capturing compelling images of the urban landscape; namely, those image-killing reflections that occur when shooting through plate glass windows.

Earlier this week we featured an important maintenance guide with a safe-and-effective method for cleaning a dirty camera sensor and keeping it pristine as long as possible. But what about the dusty photos you shot in the past or those you digitize with a scanner?