Portrait Photography How To

If you’re a pet owner you undoubtedly shoot countless photos of your loyal friends.  Even pros take time out of assignments to photograph their beloved fur babies.

Let’s face it: Portraiture can be challenging for those of us without a studio and a bunch of expensive lighting gear. But it is possible to make pro-quality images at home with nothing more than whatever camera you own, a cheap background, and available light.

Proper posing and directing techniques are critically important in portraiture, especially when your goal is to create a seductive look when photographing pretty, sensuous models. And we found an experienced pro that will help boost your confidence by demonstrating just how it’s done.

There's been a movement in boudoir photography circles lately to keep posing and lighting simple to produce beautiful imagery that highlights dramatic sensuality and we're here for it. Recently, boudoir photographer Critsey Rowe shared her one posing secret with us and now Yuliya Panchenko explains how you only need one light and one pose to capture stunning boudoir photos.

Shooting outdoor portraits can be a mixed bag. On the one hand, natural light photography means carrying less gear, but here’s the problem: On bright, sunny days with high contrast, it can be difficult to properly meter a scene and capture flattering images.

If you've ever dreamed of doing a shoot at a photo studio that's bathed only in gorgeous natural light, here's a great video showing what it's really like. In the below clip, portrait and swimwear photographer Anita Sadowska takes you behind the scenes for a swimwear shoot she did recently at a studio in New York City.

Photographing people for a living can prove intimidating for many photographers. Now add “celebrity” to that and you may find you have to step up your game several notches to stand on equal footing with your subject. You can’t afford to be intimidated and you certainly can’t afford to appear unsure of yourself or to question your decisions. You have to enter the picture with a game plan and be decisive, know which lens you’ll be using, what lights, and where to place those lights. But you also have to be prepared for the unexpected. That’s why they give these jobs to photographers such as Victoria Will.