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 |  May 25, 2010  | 

June 2010

On The Cover
Welcome to our mid-year photo gear roundup, featuring the newest products from the top US photo trade show, PMA (Photo Marketing Association). We assembled a team of reporters to cover the show to bring you the latest and greatest gear coming your way in 2010. As you’ll see, we’ve explored new productsi...

Shutterbug Staff  |  May 31, 2011  | 
June Cover Welcome to our travel and location photography special. This month we present photo journeys that take you to towns big and small as well as trails and rails in the US and across the globe. We also have an informative insider’s report from pro photographers who expose business tips that you need to know in order to make travel photography a successful endeavor. In addition, we tested a range of products that you’ll want to take on the road this summer, including the Calumet Genesis 300 B monolight, the Nikon D7000, and the Tamron 18-270mm VC lens.
Staff  |  May 21, 2012  |  First Published: Jun 01, 2012  | 
On The Cover
In this issue we feature tests on a myriad of image software programs for everything from creating unique images to speeding workflow to aids in organizing and editing your work. We also continue our Image Tech series with in-depth tests on Nikon and Panasonic cameras plus take a look at a new trend in inkjet papers as well as a handy Wacom tablet that will make working with all that software in our tests so much easier. And visit us at www.shutterbug.com for more web-exclusive content added daily.

George Schaub  |  Nov 09, 2004  | 

While you can choose enhanced color saturation when using your digital camera
via the Menu, this choice generally adds saturation to all colors at once. This
might work fine for some subjects, but there are many ways to "juice up"
selective colors later in the software. We'll work with two controls here,
Hue/Saturation and Selective Color, both used as Adjustment Layers.


1

...

 |  Aug 28, 2007  | 

Kubota Image Tools Announces Spring 2008 Digital Photography Bootcamp
Workshop

Kubota Image Tools is pleased to announce its 15th Digital Photography Bootcamp
workshop April 20-25, 2008. Bootcamp, taught by renowned photographer Kevin
Kubota, is a 5-day workshop for professional photographers designed to supply
all of the technical know-how...

Chuck Gloman  |  Sep 10, 2013  | 
LED technology offers low power consumption, dimmable output with no color temperature loss and cool, long lasting lights. A number of different manufacturers sell LED units that fit on top of your camera as well as larger units that require a stand to safely mount the lights.
 |  Jul 27, 2010  | 

Lens Effects

Light And Lenses, Plus A Unique Point Of View

by Jim Zuckerman

Lenses don’t interpret the world as our eyes do. The way light interacts with glass and with the metal blades of a lens aperture is different than how it interacts with our eyes, and it’s noteworthy to mention some of the effects thatc...

 |  Aug 26, 2008  | 

Lens Tech Update



Is This the World's Longest Range Zoom?

by George Schaub

Not
so far back photographers were leery of zoom lenses that exceeded a 3x focal
length ratio; in other words, say you started at 70mm, then a 210mm outer range
would be considered "safe." (Indeed even further backphotograph...

 |  Jan 29, 2008  | 
All
Photos © 2007, George Schaub, All Rights Reserved

While a braveeffo...

Chuck Gloman  |  Feb 21, 2012  | 
There may be times when you need to capture the action in a performance for a local newspaper, publicity shots, a memory of a child’s concert or simply because you want to capture images of the event. The first step is to make sure you are allowed to photograph during the performance; that’s easy if you’re hired to do so, but always check and find out the ground rules. Shooting during the actual performance has challenges so it is always a good idea to shoot the dress rehearsal—if you can. The shots here were mostly made during rehearsals of a dance recital, but the tips can apply to other types of performances as well.
Shutterbug Staff  |  Jan 30, 2007  | 

LiveBooks Teaches National Geographic All Roads

Project Winners To Market Their Photography To The World

LiveBooks, Inc. continues to support emerging, talented photojournalists with
its sponsorship of National Geographic's "All Roads Photography
Project" by providing the winners of this year'sinternat...

 |  Aug 29, 2006  | 

Look at the Future


By Ron Leach, Publisher

A leading software company and a respected market research/consulting firm
recently shared their vision on upcoming technological developments, market
trends, and anticipated consumer behavior that will influence the future of
digital photography. Corel Corporation's software solutionsa...

Ron Leach  |  Nov 20, 2012  | 
Duke University scientists have developed an experimental camera as part of a $25 million project funded by the U.S. Department of Defense with the potential to change how we capture and view images in the future. Dubbed Aware-2, the camera offers remarkable resolution characteristics and could ultimately be employed by the military for aerial and land-based surveillance.
 |  Nov 25, 2008  | 

Low Light Exposure

Tripods and Image Quality

by George Schaub

It always surprises me how “light sensitive” digital cameras are, and how low the light can be and still have the sensor dig out detail. This becomes apparent when photographing in the shade, in late afternoon light, overcast light and even when the sun has setbelow...

 |  May 25, 2010  | 

Low Light Photography

The Night Time Is The Right Time

by Fredrik Froman

Light is light. It doesn’t matter if it comes from the sun, the moon, street lights, or even a flash. In very low light you can still get a photo; it might just take some time since you might have to expose the scene for minutes instead offract...

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