Pro Techniques

Sort By: Post DateTitle Publish Date
Jack Neubart  |  May 04, 2011  |  First Published: Apr 01, 2011  | 

Automotive photography involves more than cars, although these vehicles make up the bulk of this genre. Automotive can also mean motorcycles and practically any motorized conveyance that hits the road. Tackling these vehicles may appear overwhelming at first, but not to veteran automotive photographer Richard Izui.

Jack Neubart  |  Nov 01, 2010  | 

“I can trace my roots in photography back to when I was a student at the Ontario College of Art (Toronto),” Andrew Eccles recalls. “But there was one problem: back then, I found it intimidating to approach people with the camera, so I avoided photographing them.

“Then I came to New York and started studying magazines such as Rolling Stone, and, through a...

Jack Neubart  |  Nov 01, 2009  | 

Shooting professionally since the 1970s, San Diego-based Marshall Harrington (www.marshallharrington.com) has employed various processes and techniques, film and digital, that give him a competitive edge. In my book, Location Lighting Solutions (Amphoto), Harrington described his work as “visual semiotics,” explaining...

Maria Piscopo  |  Jun 28, 2013  |  First Published: May 01, 2013  | 
I have always been a big supporter of joining and participating in professional groups. The growth of my career as a photo rep, teacher, and author all came from joining and participating in groups that brought together like-minded individuals. For photographers looking to enhance or initiate their careers there are numerous professional associations worthy of attention.
Jon Sienkiewicz  |  Sep 27, 2024  | 

It comes as no surprise that many professional and some high-output amateur photographers use AI-assisted editing apps and/or plug-ins to perform standard image editing operations in bulk. Pros have outsourced common, repetitive editing tasks (like knocking out backgrounds) for years. In fact, beginning back in the good ol' days of analog photography, studios routinely outsource retouching and — of course — film processing and printing.

Steve Bedell  |  May 06, 2014  |  First Published: Mar 01, 2014  | 

Mention the name Jerry Ghionis to any wedding photographer and you will immediately see respect and admiration in their eyes. Jerry shot to prominence by winning the International Wedding Album of the Year Award at Wedding Portrait Photographers International (WPPI) a record eight times and was also named by WPPI as one of the top five wedding photographers in the world. With a style that combines fashion, portraiture, and spontaneity, his work is instantly recognizable. Sought after by wedding clients from around the world, Jerry has expanded his base to become a wildly popular teacher and lecturer and now even a product developer. I even hear he does a mean karaoke but I’ve yet to witness that!

Chris Maher and Larry Berman  |  Jan 31, 2012  |  First Published: Dec 01, 2011  | 

Chase Jarvis is one of a new breed of successful young photographers who’s at the top of his game. His use of social networking has brought him an enormous following while his exploration of radical business models is opening new markets. Best known for his lifestyle and sports images, the creative and financial success of his personal projects has earned him top corporate clients like Nikon, Reebok, and Microsoft.

 

Shutterbug: You have no formal training as a photographer, yet arguably you’re one of the top photographers working today. How’d you get there?

Chase Jarvis: I wish I could answer that in a sentence. I think maybe the shortest description is by being incredibly curious and very hardworking. And throw a whole bunch of luck in there, too. There’s a lot of timing and luck involved in anything I do.

Chris Maher and Larry Berman  |  Feb 01, 2010  | 

David Hume Kennerly has led an amazing career as a photojournalist. In 1968 he photographed Robert Kennedy at the California presidential primary moments before he was gunned down at the Ambassador Hotel.

Jay Abend  |  Sep 01, 2001  | 

Last year I wrote about the need for every photographer, regardless of their ability, to have a current portfolio. In my business as a commercial photographer, a killer portfolio is a necessity. I received a few e-mails inquiring about the...

Rosalind Smith  |  Feb 01, 2009  | 

The photographs of Philip Perkis come from his own inner world; they are quiet images that speak to us intimately. Presented in a recent show at the Alan Klotz Gallery in New York, many of them grace the pages of his new book The Sadness of Men, published by The Quantuck Lane Press.

Currently a teacher at Pratt Institute and the School of Visual Arts...

Jay Abend  |  Jan 01, 1998  | 

One of the claims often heard when talking about medium format cameras is, "With this camera you can get practically 4x5 quality." How realistic is that claim anyway? Let's face it, a 4x5 sheet of film has over three times the total real...

Rosalind Smith  |  Apr 01, 2009  | 

When Canadian engineer Joseph Cacic designed and built a tripod in the late 1990s that would accommodate bird’s eye aerial images, Boston photographer Frank Siteman was among his first customers. For Siteman it was the perfect solution for the environmental photographs that he favors. Weighing 75 lbs and easy to roll, the tripod can be placed in a garden without disturbing any of the floras...

Rick Sammon  |  Jun 01, 2000  | 

Ever wonder what ingredients professional travel photographers use to make great on-location pictures? Here's my gourmet recipe.

Getting Ready To "Cook."...

Jon Sienkiewicz  |  Feb 01, 2007  | 

Sooner or later, you're going to be tempted to buy a product that's labeled "refurbished." It will probably be the lower price that attracts you--after all, there is one and only one reason to even consider "refurb" and that is to save money. Depending on where you shop, you may be led to believe that the refurbished item is as good as...

Barry Tanenbaum  |  Nov 21, 2012  |  First Published: Oct 01, 2012  | 

Who: Robert Beck, staff photographer for Sports Illustrated.
What: Infrared (IR) photography.
When: “The editors give me some leeway,” Robert says, “but I’m not going to be using it for a decisive putt.”
Where: Golf courses all over the world.
Why: Although the job calls for capture of the peak moment, the turning point, the key play, the tense concentration, the moment when the athlete’s body language gives it all away, there’s always the professional and personal challenge to do something different.
How: With a Nikon D700 modified for infrared photography.

Pages

X